marcin
(Marcin)
#1
Giambattista Masciotta), then supported
more and more by the economic, social,
political forces and by a wide margin of
public opinion (suffice it to note that the
general political elections of 1921 in Molise
were based on this issue, that transformed
into a unified “bloc” the 7/8 of the existing
parties), conferred to the budding literature
in dialect, and not just in dialect, an
autochthonous conservative impulse, that
more than ever aimed to find, with the
mimetic instruments offered by the
vernacular (more precisely by the
vernaculars) the authentic, true, profound
spirit of a Molise which had to be discovered
in its “essence,” in its unmistakable human
dimension, historically intact and pure, in its
“rurality,” as it was proudly remarked later
on, at the height of the Fascist era.
This focus on an existing “molisanness,”