BIBLIOGRAPHY: D. Gisolfi Pechukas, "Two Oil Sketches
and the Youth of Veronese," Art Bulletin 64, no. 3 (Sep-
tember 1982), pp. 411-12; H. Coutts, "Veronese in Ven-
ice and Washington," Master Drawings 27, no. 3 (Au-
tumn 1989), p. 231.53 Sheet of Studies for the Martyrdom of Saint
George'
Studies of a House, Tree, Heads, Artist's
Tools, Decorative Motifs, and Computations"
83.GA.25 8
EXHIBITIONS: The Art of Paolo Veronese 1528-1588, Na-
tional Gallery of Art, Washington, D.C., November
1988-February 1989, no. 42 (catalogue by W. R.
Rearick).
BIBLIOGRAPHY: Masterpieces from the Robert von Hirsch
Sale at Sotheby's (Westerham, 1978), pp. 20-21; D. Gi-
solfi Pechukas, "Two Oil Sketches and the Youth of Ve-
ronese," Art Bulletin 64, no. 3 (September 1982), p. 412.FEDERICO ZUCCARO
55 The Submission of the Emperor Frederick
Barbarossa to Pope Alexander III
83.GG.i9o
EXHIBITIONS: Renaissance into Baroque: Italian Master
Drawings by the Zuccari, 1550-1600, National Academy
of Design, New York, March-April 1990, no. 87 (cat-
alogue by E. J. Mundy with the assistance of E. Ouru-
soff de Fernandez-Gimenez).56 View of Saint PeterY
Study of a Young Manv
85.GB.228
EXHIBITIONS: Renaissance into Baroque: Italian Master
Drawings by the Zuccari, 1550-1600, National Academy
of Design, New York, March-April 1990, no. 98 (cat-
alogue by E. J. Mundy with the assistance of E. Ouru-
soff de Fernandez-Gimenez).JACOPO ZUCCHI
57 The Age of Gold
84.GG.22
EXHIBITIONS: From Studio to Studiolo: Florentine Drafts-
manship under the First Medici Grand Dukes, Allen Me-
morial Art Museum, Oberlin College, October-De-
cember 1991, no. 61 (catalogue entry by L. Feinberg).FRANÇOIS BOUCHER
59 Study of a Reclining Nude
84.GB.2I
BIBLIOGRAPHY: B. S. Jacoby, "François Boucher's Sty-
listic Development as a Draftsman: The Evolution of His
Autonomous Drawings," in Drawings Defined (New
York, 1987), pp. 265, 268, fig. ii.60 Reclining Male Figure
83-GB.35 9
BIBLIOGRAPHY: B. S. Jacoby, "François Boucher's Sty-
listic Development as a Draftsman: The Evolution of His
Autonomous Drawings," in Drawings Defined (New
York, 1987), pp. 263, 265, fig. 7.JACQUES CALLOT
63 An Army Leaving a Castle
85.66.294BIBLIOGRAPHY: H. T Goldfarb, From Fontainebleau to the
Louvre: French Drawing from the Seventeenth Century, exh.
cat. (Cleveland Museum of Art, 1989), pp. 94-96, under
no. 45.JEAN-SIMEON CHARDIN
66 Study for a Seated ManrStudy of a Male Nude"
85.GB.224
BIBLIOGRAPHY: P. Rosenberg, "Chardin Studies," Bur-
lington Magazine 129, no. 1007 (February 1987), pp. 116-
18.JACQUES-LOUIS DAVID
67 Paris and Helen
83.GA.I9 2
EXHIBITIONS: Jacques-Louis David 1748-1825, Musée du
Louvre, Paris, October 1989-February 1990, no. 83 (cat-
alogue entry by A. Sérullaz).
BIBLIOGRAPHY: Y. Korshak, "Paris and Helen by Jacques
Louis David: Choice and Judgment on the Eve of the
French Revolution, " Art Bulletin 69, no. i (March 1987),
pp. 109-10; P. Spencer-Longhurst, "State of the Art:
David," Apollo 131, no. 336 (February 1990), p. 106.68 The Lictors Carrying the Bodies of the Sons
of Brutus
84.GA.8354 ADDENDA