The Sunday Times - UK (2022-02-13

(Antfer) #1

13 February 2022 43


THE BEST TV FROM BRITBOX AND BEYOND... WEDNESDAY 16 FEBRUARY


Elementary
(Amazon Prime Video)
When it launched in
September 2012, this
American police procedural
was dismissed by British
critics as a blatant knock-off
of the much-loved Sherlock.
Ten years and seven seasons
later, it is easy to step back
and see what a brilliantly
nuanced reimagining of the
Conan-Doyle characters it
was. Beyond Johnny Lee
Miller’s beguilingly eccentric
portrayal of Holmes as high-
functioning, buttoned-down
former addict, and Lucy Liu’s
ruthlessly intelligent Watson,
here was a show that treated
Doyle’s subsidiary characters
and minor plot details with
respect, yet incorporated
them into the conventions of
network crime TV. If you are
still in doubt, sevens seasons
of evidence await you.
Andrew Male

Hotel Transylvania (Sky
Cinema Animation, 5pm)
Imagining Dracula and other
vintage horror characters as
friendly nincompoops, the
series of animated movies
that began with this 2012 film
may not be up there with the
Pixar and Disney greats, but
it provides energetic fun and
plenty of jokes. The first film’s
director, Genndy Tartakovksy,
is a skilled cartoonist whose
distinctive, curvy-lined style
has retro elegance. Having
created an appealing look
for the series, he stayed in
post for the next two movies,
which Sky Cinema Animation
is showing on Thursday and
Friday this week. (2012)

Judy (BBC1, 10.35pm)
A dramatisation of Judy
Garland’s visit to London for
a series of concerts in 1969,
Rupert Goold’s warm-hearted
film observes the contrast
between its heroine’s facade
and her private sadness.
In both spheres — on stage
and off — Renée Zellweger is
superb in the title role. (2019)
Edward Porter

Life’s a gas for Mist (BBC3, 9pm) On song: Zellweger (BBC1, 10.35pm)

FILM CHOICE


ON DEMAND


Great Expectations


(StagePlayerplus.com)


Described by this newspaper


as “inventive, physical pure


theatre”, Jo Clifford and


Graham McLaren’s landmark


adaptation of the most


popular Charles Dickens novel


has been one of theatre’s hot


tickets for the past decade.


Getting On (Britbox)
If NHS sitcoms used to focus
on the patients, cutbacks
and bureaucracy have
moved the long-suffering
staff centre-stage, and this
note-perfect comedy, written
by and starring Jo Brand,
Vicki Pepperdine and Joanna
Scanlan, is the result. Shot
with an endearing naturalism,
this is exceptional comedy
that doubles as a rich satire.
Andrew Male

Only When I Laugh (Britbox)
Set in the ward of an NHS
hospital, Eric Chappell’s dour
sitcom is essentially a portrait
of the British class system.
James Bolam plays a working-
class layabout, Christopher
Strauli is a needy middle-class
innocent and Peter Bowles an
upper-class hypochondriac.
With obvious debts to
Hancock’s Half Hour, it is a
dialogue-driven show that
has aged surprisingly well.

Cow (Mubi)
Emphasising the “moo” in
“Mubi”, the site brings us the
streaming debut of Andrea
Arnold’s documentary about
the life of a dairy cow. Simply
spending time close to the
animal, the film pays her the
tribute of noting her ordeals
and contemplating her nature.
Although essentially a sad
story, it has moments of
humour, and there is art in
its attentiveness. EP

Now, to mark the author’s
210th birthday, you can enjoy
the London Vaudeville
Theatre production from the
comfort of your own home.
Watch via the StagePlayer app
and then check out other
delights, including the RSC’s
production of Macbeth, with
Christopher Eccleston, the
2009 production of Leonard
Bernstein’s Wonderful Town
or John Lennon’s 75th-
birthday concert.

A beautiful dark twisted fantasy? Kim Kardashian and Kanye in happier times (Netflix)


Jeen-yuhs — A Kanye
Trilogy (Netflix)
More than 20 years ago, the
stand-up comedian Coodie
Simmons decided to quit
comedy and relocate to New
York to near-constantly film
Kanye West, who he had first
interviewed in 1998. For two
decades, Coodie has watched
Kanye through a viewfinder,
his shoulder bearing his
ascent. Long before Kanye
became the Connor Roy of
rap, his presidential dream
kick-starting this trilogy, the
record producer was hustling
hard to be taken seriously as
a performer; his immense
talent was fit for others to
use, but not him. The first
film covers these early days
and the footage is impossibly
candid, with pre-fame Kanye
by turns joyous, vulnerable,
wounded and even goofy.
See feature on page 6.
Toby Earle

Try Harder! (BBC4, 10pm)


According to its highly


stressed students, most of


them Asian-American, Lowell


High, the No 1 ranked public


school in San Francisco, is


“tiger mom central”. Debbie


Lum’s documentary recalls


all the terrible worry of


being a child on the brink of


adulthood, of cramming for


exams and competing with


peers for precious places at


the highly competitive best


universities. Of course, they


are all darlings, spirited,


clever and funny, but despite


excellent results, as their


acceptance (or otherwise)


letters come in, their teacher’s


thesis that Asian-American


students suffer the effects


of a cruel stereotype appears


to bear fruit.


Helen Stewart


Gassed Up (BBC3, 9pm)
With tractor racing, Zen
Motoring and this treat for
petrolheads, the reborn
BBC3 channel seems strangely
keen on burning fuel. Becky
Evans and Ryan Taylor host
a “real-life video game” that
pits the rapper Mist against a
number of other celebrities,
starting with comedian Joel
Dommett in a buggy race.

Zen Motoring
(BBC3, 9.45pm)
As a Fiat Panda pootles around
north London’s streets, we
hear ambient music and the
musings of its driver (rapper/
comedian Ogmios), ranging
from philosophy to driving
practicalities and the dangers
of e-scooters. Not obviously
a “yoof ” show (he’s 41), but
original and very watchable.

Mega Mansion Hunters
(C4, 10pm)
With Tyron’s quarterly awards
ceremony for his hungry young
estate agents approaching,
high-earning Quas, who has a
£7 million penthouse to flog, is
favourite to take the top gong,
but still lives with his mum.
New recruit Erin is struggling
to get her first “listing”.
John Dugdale

CRITICS’ CHOICE


Even better


than Benedict

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