Schumann, 7;
motive from theCarnaval, 13;
from theKinderscenen, 13;
Arabesque, 14:
saying about folk-songs, 20;
Canon for organ, 36;
Canonic Variations, 37;
Carnaval, 68;
Phantasiestücke, 68;
his use of the Rondo, 82-83;
Variations, 88;
comment on Schubert, 166;
biography and features of style, 172-174;
analysis ofDes Abends, 174-175;
ofWarum, 175-176;
ofNovellette in E major, 176;
of Song,Mondnacht, 176-177;
ofManfredOverture, 177-179;
characterization of the four Symphonies, 179;
Symphony in D minor, analysis of, 179-184;
eulogy of Brahms in theNeue Zeitschrift, 232.
Schola Cantorum, account of, 282.
Scottish folk-tune, 28.
Scryabin, as harmonic innovator, 143;
works and features of style, 327.
seguidilla, 76, 79.
sentence, complete analysis of, 53, 54.
sequence, definition of, 38.