199 Veda
married the seven daughters of Ähuka.
Devakï, the youngest, became the moth-
er of Kø•æa. After Kø•æa’s death he also
died and four of his wives became SATÏS
(2) with him.
Väsudeva
The patronymic of Kø•æa.
Vätsyäyaæa (1)
The author of a commentary on the
Nyäyasütra.
Vätsyäyaæa (2)
The author of the Kämasütra.
Väyu, also Pavana (‘air, wind’)
Personified in the Vedas, often associat-
ed with INDRA. In the Puräæas he is the
king of the GANDHARVAS(2), the father
of BHÏMA(2) and HANUMANT.
Väyu Puräæa
A Puräæa in which Väyu announces
dharma in connection with the Ÿveta-
ka¶pa, the age preceding the present
one. It is considered to be the oldest
among the MAHÄPURÄŒASand to con-
form most closely to the definition of a
Puräæa as pañcalak•ana(five topics).
Veda
From the root ‘vid’, to know; ‘knowl-
edge’, with the connotation of revela-
tion. The Vedas are the foundation of
Hinduism and their acceptance as ulti-
mate authority is the criterion of ortho-
doxy. Veda in the narrower sense
comprises the four saƒhitäs, collections
of hymns written in Vedic, an archaic
form of Sanskrit. The date of their com-
position, as well as the place, have been
the object of major scholarly disputes.
Indian tradition dates the Vedas to
about 4000 BCEand assumes a north-
west Indian origin. Western scholars,
since Max MÜLLER, assume a date of
1500–1200 BCEand consider them the
products of nomadic invaders of India
from the area of southern Russia. Veda
in the wider sense includes, besides the
saƒhitäs, the Brähmaæas, voluminous
treatises dealing with the technicalities
of sacrifice, the Äraæyakas, ‘forest
treatises’, and Upani•ads, texts for per-
sons who have renounced and no longer
participate in the routine of ritual.
The saƒhitäs consist of the Øgveda
(Veda of mantras), the Sämaveda (Veda
of melodies), the Yajurveda (Veda of rit-
uals), and the Atharvaveda (Veda of
incantations). The most important is the
Øgveda, a collection of 1,017 hymns
(with an additional 11 VÄLAKHILYAS(1))
divided into ten books or eight
maæõalas. Every hymn is addressed to
one or more Vedic deities, is attributed
to a Vedic ØÆI(some of them women),
and has to be recited at a certain pitch
to accompany a ritual. While much of
Vedic ritualism has become obsolete,
many Vedic hymns are still recited at
occasions such as birth-ceremonies, ini-
tiation, marriage and cremation.
The text of the Øgveda has been
meticulously preserved over thousands
of years through oral transmission.
Various mnemotechnic devices were
employed to ensure faultless memoriza-
tion and recitation. The various texts of
the Veda were transmitted by particular
ÿäkhäs(branches) of brahmin families.
For example, the White Yajurveda was
passed on by the Vajasaneyi ÿäkhä.
Certain Hindu schools of thought, such
as Pürva MÏMÄßSA, consider the Veda
apauru•eya (not the work of a person,
either divine or human) and pre-exis-
tent. Others consider it the utterance of
the Supreme Being revealed to ø•is.
Learning and recitation of the Veda was
the prerogative of brahmins. Persons
not belonging to the twice-born castes
were not allowed to either recite or lis-
ten to it and severe punishment was
meted out for transgressions. (See also
appendix 2, HINDUSCRIPTURES.)
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