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of the twentieth centuries – characterized by
either indentured labour systems or kinship-
based chain migration (predominantly of
men), followed by a post-Second World War
phase during which a ‘bachelor society’ was
gradually transformed by the presence of more
female migrants and family immigration (Chen,
1992; Benton and Gomez, 2003). Largely self-
organizing entities, socio-political life and the
provision of cradle-to-grave services in these
transplanted communities were anchored, to
different extents in different communities, by
Chinese associations based on clan, surname,
dialect or provenance. Portrayed as an immi-
grant neighbourhood or an ethnicenclave,
Chinatown is identified as a reception area for
newcomers, an agglomeration of ethnic busi-
nesses (including ‘illegal’ or ‘immoral’ prac-
tices such as drug trafficking, gambling and
prostitution) serving its ‘own kind’, and the
focal point of a well-knitcommunityin a
foreign land. The Chinatown depicted in this
vein is essentially an outpost of a foreign coun-
try, comprising adiasporaof unassimilable
foreigners.
Recent scholarship has challenged our
understanding of Chinatown in at least three
ways. First, Chinatown is not just an exported
structure, but the product of host society recep-
tion, including colonial labour policies in some
instances and racial discriminatory and discur-
sive practices more generally. In colonial cities
of South East Asia, Chinatown as a racial cat-
egorization and spatial container to accommo-
date the Chinese emerged as part of colonial
urban planning, and often featured in colonial
discoursesas a landscape of filth, pestilence
and moray decay (Yeoh and Kong, 1994). In
Western contexts, by placing the idea of
Chinatown at the centre ofrace-definition
processes, Anderson (1987, p. 581) argues that
‘Chinatown is a social construction with a cul-
tural history and a tradition of imagery and
institutional practice that has given it a cogni-
tive and material reality in and for the West.’
More than aplace-nameor a social commu-
nity, Chinatown is also part of theimaginative
geographiesunderpinning white European
culturalhegemony(seechinatown).
Second, using Chinatown as a spatial refer-
ence for an essentialized Chineseidentityor
‘chopsticks culture’ fails to recognize differ-
ences of class, sub-ethnic affiliation and cul-
tural history among members of Chinese
communities. Social and economic mobility,
generational change and the influx of later
arrivals from different parts of mainland
China, Hong Kong, Taiwan and other
Chinese communities have transformed closed
social structures and introduced diversity in
terms of class, occupations, educational
backgrounds, political affiliations and even
ethnic consciousness among those identified
with Chinatown (Chen, 1992; Kwong, 2001;
Christiansen, 2003).
Third, against portrayals of Chinatown as
an enclave economy that defies integration
into the mainstream, Zhou (1992) argues that
immigrant Chinese in Chinatowns in the US
context are able to draw upon social capital
and networks to surmount structural barriers
and facilitate socio-economic mobility. From
this perspective, Chinatown as an ethnic
enclave provides a mechanism for eventual
immigrant incorporation into mainstream
society.
Chinatown landscapes are also increasingly
revitalized for the purposes ofheritage tour-
ismor promoted as gentrified, conservation
settings to enhance urban aesthetics in global-
izing cities. Along with other ethnic neigh-
bourhoods ranging from Koreatown to Little
India, Chinatown as the inscription of race in
place has continued to evolve in tandem not
only withimmigrationdynamics but with the
politics ofplace. by
Suggested reading
Anderson (1992); Yeoh and Kong (1994); Zhou
(1992).
chorology/chorography The study of the
variation in the Earth’s surface from place
to place (see also areal differentiation).
Chorology represents the oldest tradition of
Western geographical enquiry. It was first
codified by Hecataeus of Miletus in the sixth
centurybceand systematized by Strabo in the
seventeen books of hisGeography, probably
written betweenad18 and 24. The geog-
rapher, he wrote, is ‘the person who attempts
to describe the parts of the earth’ (in Greek,
chorographein). The two key words were
‘describe’ and ‘parts’: in effect, Strabo was
recommending what would now be called
regional geographyas the core of geograph-
ical reflection. He was not interested in chor-
ography for its own sake, but intended it to
serve a higher purpose. The production of
geographical knowledge was an indispensable
complement to political and moralphiloso-
phy, because it provided a material ground for
understanding truth, nobility and virtue. For
this reason, Strabo’s geography was funda-
mentally concerned with human activities. It
was also directed towards political and social
Gregory / The Dictionary of Human Geography 9781405132879_4_C Final Proof page 82 31.3.2009 9:45pm
CHOROLOGY/CHOROGRAPHY