The Dictionary of Human Geography

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seek to change the terms and values under
which we all live’: critical formulations that
were rooted in the particular circumstances
of exploitation and dispossession inafrica,
asia and latin america (Young, 2003b,
p. 20; cf.subaltern studies). Second, Young
wanted to emphasize the political affinities be-
tween these knowledges and projects of popu-
lar liberation anddecolonization. In doing
so, he acknowledged that Marx’s writings were
often a crucial inspiration, but he insisted that
this was an historical materialism
that did not survive the journey fromeurope
intact: it was reworked in creative ways that
were directly tied to practical, political
conjunctures elsewhere in the world (seetrav-
elling theory). dg

Suggested reading
Bongie (2002).

tropicality Cartographically, the Tropics are
defined by the latitudinal lines of Cancer and
Capricorn around theglobe, 23 degrees and
27 minutes north and south of the Equator,
within which the sun may shine directly over-
head. However, in cultural and political terms,
tropicality – likeorientalism– is not a fixed
or a given fact of geography: it is a way of
thinking in which spaces are describedmeta-
phorically, associating ‘the Tropics’ with a
certain kind of experience, vision,landscape
or society (Arnold, 1996a; Driver and
Martins, 2005). The conceptual mapping of
the ‘tropical’ – as defined against the ‘temper-
ate’ – is one of the most enduring themes in
theimaginative geographiesof the globe,
from classical mythology to modernlitera-
ture(Cosgrove, 2001). Whether represented
positively as a zone of luxuriant superabun-
dance (as in Alexander von Humboldt’s writ-
ings on tropical landscape), or negatively as a
pathological space of degeneration (as in
Joseph Conrad’s novel,Heart of darkness),
tropicalnaturehas frequently been employed
as a counterpoint to all that is modest, civilized
or cultivated – or, in a word, ‘normal’ (cf.
Gregory, 2001b). Images of tropicality have
thus had a sustained impact withindiscourses
ofexploration, travel andtourism, and are
also to be found in a wide variety of other
cultural forms, from landscape painting and
epic poetry to architecture and popular
music. In the history of science, they are
reflected in the emergence of distinct sub-
disciplinary specialisms – for example, tropical
medicine, tropical climatology (seeclimate)
or tropical geomorphology – although the

distinctiveness of the ‘tropical’ in these fields
has always been contested. In the modern
world, images of tropical difference have
played a significant part in military imaginaries
duringwarsin asia and South East Asia
in particular, and they continue to shape
theiconographyof luxury tourism, global
environmentalismand commodity advertis-
ing more generally.
Although critical reflection on notions of
tropicality is of relatively recent date (Arnold,
1996a; Driver and Yeoh, 2000), writings on
the geographical characteristics of the tropical
world have a long history. As the discipline of
geographydeveloped in its modern form, the
field of ‘tropical geography’ flourished for a
brief period, notably in France during the
mid-twentieth century, where the work of the
geomorphologist Pierre Gourou (1900–99) –
author ofLes pays tropicaux(1947) – was par-
ticularly influential. Subsequent critiques of
this work drew attention to its ideological
blind-spots in relation tocolonialismand
development, and its tendency to treat the
impact of environment on society in a-histor-
ical terms. The history of tropical geography
needs to be seen in the context of the colonial
histories of the Francophone world, notably in
Indochina. Recent work, however, casts new
light on the ambivalent sense of tropicality
within this tradition and the extent to which it
supported the programmes of colonialism
(Bowd and Clayton, 2005a,b). More generally,
the extent to which the idea of tropicality can be
understood, like Orientalism, as a form of dis-
cursive projection imposed by the West remains
a matter for debate. Notions of tropicality,
whether geographical, scientific or aesthetic,
are not simply the product of imperial fantasy:
they also contain other experiences, and other
possibilities (see also Arnold, 2006). fd

Suggested reading
Arnold (1996a); Driver and Martins (2005).

trust A quality that gives statements, individ-
uals or organizations credibility and authority.
Trust has become an important theme in
areas of human geography concerned to
understand processes of knowledge credibility
and transfer. economic geographers have
addressed the ways in which economic relation-
ships may depend upon trust between those
engaged in transactions, with consequences
for the value placed upon face-to-face contact,
and the ways in which places may construct
their economic reputation around trustworthi-
ness. Thus Hudson’s (1998) study of the

Gregory / The Dictionary of Human Geography 9781405132879_4_T Final Proof page 777 31.3.2009 9:40pm Compositor Name: ARaju

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