30 The Language of Fashion
11 andré Georges haudricourt and alphonse Julliard, Essai pour une histoire
structurale du phonétisme français, Klincksieck, 1949.
12 on this see rudolph Kristian albert Broby-Johansen, Krop og kloer,
Copenhagen, 1953 and Bernard rudofsky, Are Clothes Modern?
[An Essay on Contemporary Apparel], Chicago, Paul Theobald 1947;
these two works contain numerous illustrations that tend to show the
permanence of vestimentary forms.
13 a bibliography of these american works can be found in Estelle De young
Barr, A Psychological Analysis of Fashion Motivation, new york, 1954
[1934].
14 nikolai Sergeevich Trubetskoy, Principes de phonologie, trans. by
J. Cantineau, Paris, Klincksieck, 1949, p.19; trans. as Principles of
Phonology, by Christine a.m. Baltaxe, Berkeley, university of California
Press, 1969.
15 Fashion photography poses an interesting methodological problem; in
Saussurian terms, it represents a kind of ideal confusion between dressing
and dress, as do the clothes in presentations of collections.
16 Jane richardson and alfred Louis Kroeber, Three Centuries of Women’s
[Dress] Fashions, A Quantative Analysis, Berkeley, university of California
Press, 1940.
17 another artificial from of clothing which presents a most valuable
disjuncture between the signifieds and the signifiers is liturgical dress.
18 Mythologies, Paris, Seuil, 1957 [1970], the final part: ‘myth, Today’.