Appendix 3.03 Survey of The Neurosciences
and Music III Conference 2008
Disorders and Plasticity
Title, Category
AimMus. Material, Cultural Ref.Technology & ProcedureMain focus of interestConclusion12S. Cohen et al.
(112-115)Cross-cultural research in theacquisition of singing Cat. 5: Song
Cat. 7: Culture 13S. Hutchins & Campbell
(116
-120)
Time to reach target frequency in singing
Cat. 1: PItch Cat. 5: Song
14S
. Loui & Schlaug
(121
-125)
Investigating musical disorders with DTI
Cat. 11: Disorder
15S. Mesz & Eguia
(126
-130)
Time-frequency model for
pitch of vibrato tones
Cat. 1: Pitch
Cat. 3: Complex tonesTo propose a test battery of singing skillsand a protocolfor obtaining audiovisual information reflecting aspects of the ability to sing
To describe a new technique for estimating the time to reach a target frequency in singing (TRTF)
To investigate the connectivity of theArcuate Fasciculus(AF) using Diffusion Tensor Imaging (DTI)
To study vibrato as the manifestation of a non-stationary tone that can evoke a single overall pitch, by means of time-frequencyrepresentations (TFR), whichprovide accurate representations of rapidly changing soundsTask material:
11 components, including singing back intervals and scales, familiar and unfamiliar songs, improvisation and free composition. CR: Western
Task material:
Participants sing back the pitch of the final tone in a short melodyCR: Western
No musical material
CR:---
Frequency-modulatedsinusiods
CR: NeutralTwo researchers administered the battery to 12childrenage 3, 5 and 7, and8 adults. Sessions were
videotaped
An adaptive windowing timefreuqency estimation methodperformed using MATLAB software
Acquiring anatomical images using Structural MRI with DTI.
Participants: 12 subjects, 6 tone-deaf and 6 controls
Four subjects, varying degree of musical training, ages 2538 years.Task: to match thepitch ofthe modulated toneand an unmodulated sinusiodTo develop a digital library for storing audiovisual data of singing : Children’s International Media Exchange for Singing (CHIMES).To examine the way singers correct an inaccurate initialpitch, and their trajectorythrough pitch space
Tractography to reconstruct white-matter tracts, especially
the Arcuate Fasciculus (AF) connecting Broca’s and Wernicke’s areas in the frontal and temporal lobes
Some results suggest that the perceived pitch could be
governed by some stabilitysensitive mechanismData analysisin progressFor analyzing sung vocal production, this method has advantages compared with onset latency (OL) measures
Musically tone-deafindividuals, who show impairments in pitch discrimination, have
reduced connectivity in the AF compared to musically normal-functioning controlsubjects
A recently proposed timefrequency representation (TFR) could be the simplest framework to explain this hypothetical stability-sensitivemechanism