Appendix 3.04 Survey of
The Neurosciences and Music I
V
Conference 2011
Learning and Memory
Workshop 2:
SOCIAL / REAL WORLD METHODS
(5-8)
Title, Category
Aim
Mus. Material, Cultural Ref.
Technology & Procedure
Main focus of interes
t
Conclusion
- Stefanie Uibel
Education through music
: The
model of the Musikkindergarten Berlin
Cat. 7: Culture Cat. 10: Training
- Maria Majno
From “El Sistema” to other models: learning and integration through collective music education
Cat. 7: Culture
Cat. 10: Training
7. Katie Overy
Making music in a group: synchronisation, imitation and shared experience
Cat. 7: Culture Cat. 17: Sensory
-motor
Articles: Molnar-
Szakacs &
Overy (2006)
. Overy &
Molnar
-Szakacs (2009)
- Nigel Osborne
Music a
s a therapeutic
resource for PTSD children in conflict zones
Cat. 11: Disorder
Cat. 12: Therapy
Kindergarten in which music is used as the central education medium during every child’s day. Examples from our experiences
over the last six years
The pre
sentation takes its
clue from the model of
the Venezuelan nationwide project “El Sistema”, and will survey a number of projects aiming at the exchange between social, educational, cultural and artistic contri
butions of such networks
I will outline the SA
ME
(Shared Affective Motion Experience) model of musical experience
and propose that
the effects of
music are due to
the co-
occurrence of motor,
emotional and social facets of music
Based on experiences of using music as a therapeutic intervention for t
raumatised
children in zones of conflict and
post-
conflict, the paper
draws some clear connecting lines joining neuroscience research and therapeutic practice
Children experience
music in all its different aspects and in its unique
capability as a transfe
r
medium into all the other
educational areas
The unprecedented and unequalled success of
“Sistema” is based on its qualities as a vehicle
of social integration aiming at the prevention of endemic crime by offering an alternative “system” to children
McC
artney: Hey Jude.
England football supporters in Portugal 2004
Method, ambition and experimental ground is not only education in or with music, but ‘education through music’
To distill
the principles for
higher efficiency, accessibility, stab
ility and
visibility of results
I sugge
st that the human
mirror neuron
system
provides a possible clue: it suggests
that when we hear
music, we do not only hear
abstract patterns of sound
we can also hear
the
expressive, human motor acts behind
those sounds
Neurophysiological symp
toms, including chronic raised tone in the sympathetic divi
sion of the autonomic nervous system
, leading to raised
heart rate, higher blood pressu
re, irregularities
in
breathing, dysregulation of movement repertoires
Consistent evidence linking PTSD to specific neurophysiological symptoms