Appendix 3.04 Survey of
The Neurosciences and Music I
V
Conference 2011
Learning and Memory
Workshop 2:SOCIAL / REAL WORLD METHODS(5-8)Title, CategoryAimMus. Material, Cultural Ref.Technology & ProcedureMain focus of interestConclusion- Stefanie Uibel
Education through music
: Themodel of the Musikkindergarten Berlin
Cat. 7: Culture Cat. 10: Training- Maria Majno
From “El Sistema” to other models: learning and integration through collective music education
Cat. 7: Culture
Cat. 10: Training
7. Katie Overy
Making music in a group: synchronisation, imitation and shared experience
Cat. 7: Culture Cat. 17: Sensory
-motorArticles: Molnar-Szakacs &Overy (2006). Overy &
Molnar-Szakacs (2009)- Nigel Osborne
Music a
s a therapeuticresource for PTSD children in conflict zones
Cat. 11: Disorder
Cat. 12: TherapyKindergarten in which music is used as the central education medium during every child’s day. Examples from our experiences
over the last six years
The presentation takes itsclue from the model of
the Venezuelan nationwide project “El Sistema”, and will survey a number of projects aiming at the exchange between social, educational, cultural and artistic contributions of such networks
I will outline the SAME(Shared Affective Motion Experience) model of musical experienceand propose thatthe effects ofmusic are due tothe co-occurrence of motor,emotional and social facets of music
Based on experiences of using music as a therapeutic intervention for traumatisedchildren in zones of conflict andpost-conflict, the paperdraws some clear connecting lines joining neuroscience research and therapeutic practiceChildren experience
music in all its different aspects and in its unique
capability as a transfermedium into all the other
educational areas
The unprecedented and unequalled success of
“Sistema” is based on its qualities as a vehicle
of social integration aiming at the prevention of endemic crime by offering an alternative “system” to children
McCartney: Hey Jude.
England football supporters in Portugal 2004Method, ambition and experimental ground is not only education in or with music, but ‘education through music’
To distillthe principles forhigher efficiency, accessibility, stability andvisibility of resultsI suggest that the humanmirror neuronsystemprovides a possible clue: it suggeststhat when we hearmusic, we do not only hear
abstract patterns of soundwe can also heartheexpressive, human motor acts behindthose soundsNeurophysiological symptoms, including chronic raised tone in the sympathetic division of the autonomic nervous system, leading to raisedheart rate, higher blood pressure, irregularitiesinbreathing, dysregulation of movement repertoiresConsistent evidence linking PTSD to specific neurophysiological symptoms