P 1 : JZP
0521551335 apx 2 a CUNY 160 /Joannides 052155 133 1 January 11 , 2007 14 : 21
434 APPENDIX 2. THE LAWRENCE COLLECTION OF DRAWINGS- M. Angelo
Case 3, Drawer 3
64 i,ii,iii. 1836 - 88 / 1838 - 53 / 1850 - 129 ,asMarcello Venusti/
Lawrence Gallery, 1853 , pl. 7 /186 0- 109 /BM W 76 - 78. - 1836 - 78 ?/ 1838 - 45 / 1850 - 165 ?; bought Brondgeest, 75
guilders/Weimar, Sachsen Weimar Collection/Not further
identified; untraced. - 1814 - 254 / 1836 - 1 /184 2- 43 /184 6- 11 /R. 81 /P.II 333 (all
these include Wicar in the provenance but omit Ottley)/
Cat. 55. - 1836 - 44 / 1838 - 24 / 1850 - 106 /Weimar, Sachsen-Weimar
Collection (Gotti, 1875 , II, p. 210 :Figura d’uomo nudo, seduto
in terra in atto di dormire, posando la testa sul braccio sinistro. A
matita nera. A tergo: Studio del corpo nudo di una donna, man-
cante della testa e del braccio sinistro. Collezione di S. A. R. il
Granduca. Dalle Collezioni Reynolds, Lawrence e re dei Paesi
Bassi.)/National Gallery of Canada, Ottawa (see Franklin,
2005 )/By Jacopo Pontormo, c.15 4 0.
i. 1814 - 1766 / 1836 - 52 /184 2- 44 /R. 1 /P.II 326 /Cat. 33.
ii.186 0- 404 [where accompanied by a second copy, more
likely that formerly in the Payne-Ott Collection than that
now in Portsmouth].
- 1836 - 86 / 1838 - 51 / 1850 - 119 /Lawrence Gallery, 1853 , pl. 14 /
186 0- 126 /Thibaudeau/Bayonne, Musee Bonnat, Bean ́ 67. - 1836 - 29 / 1838 - 14 / 1850 - 127 /Lawrence Gallery, 1853 , pl. 8 /
186 0- 117 /BM W 32.
71.Probably 1814 - 828 (with the provenance given as Cicci-
aporci)/ 1836 - 51 (with the provenance given as Richardson)/
1838 - 26 / 1850 - 179 bought by Roos/Leembruggen sale, 1865 ,
lot 894 /Malcolm36 6/BM not in Wilde, but later accepted
byhim/PG 276 , placed as W. 15 a.
72.Not identified. - 1836 - 66 / 1838 - 37 / 1850 - 149 /186 0- 107 /Clarke Collec-
tion/Cambridge, Fitzwilliam Museum.
74.184 2- 77 /R. 49 /P.II 311 /Cat. 38. - 1836 - 94 or - 95 / 1838 - 55 or - 56 / 1850 - 112 or 1850 -
173 /Weimar, Sachsen-Weimar Collection (Von Ritgen
photograph 1865 ,no. 2 or no. 50 , both as Michelan-
gelo)/Phillips, London, 7 July 1999 , lot 120 ;black chalk,
heightened with white, 395 × 256 mm, or lot 121 ;black
chalk, heightened with white, 398 × 261 mm, both as
Roman School, sixteenth century. See 1850 - 112 and 1850 -
173 for further details. - 1836 - 57 / 1838 - 28 / 1850 - 126 ,asSebastiano, bought by
Roos/Leembrugen sale 186 6, lot 920 ,asSebastiano/
Malcolm 63 /BM W 15. - 1836 - 19 ?/ 1838 - 6 / 1850 - 128 ?. Not identified, untraced.
78. 1814 - 1680 / 1836 - 47 /184 2- 46 /R. 20 /P.II 405 /Cat. 77.
79. 1836 - 20 (although not recorded by Woodburn, this
sheet also bears the stamp of Sir Peter Lely on the recto
and Gibson’s inscription M.Angolo and his price code
8. 3 on the verso)/ 1838 - 7 / 1850 - 117 /Santa Barbara, Cali-
fornia, Alfred Moir Collection. See 1850 - 117 for further
details.
80.184 2- 71 /R. 5 /P.II 341 /Cat. 49.
81 i,ii,iii. Probably a combination of 1814 - 824 , 1814 -
825 , and 1804 - 275 i,ii/ 1814 - 15 4 0 i,ii Subsequently 1836 -
82 i,ii,iii/184 2- 64 i,ii,iii/184 6- 35 i,ii,iii/R. 70 ( 1 , 2 , 3 )/P.II
338 , 339 ,34 0(all of which give the provenance as Buonarroti,
Wicar, and Lawrence, the Cicciaporci-Cavaceppi prove-
nance omitted)/Cats. 45 , 48 , 47.
82 i,ii.184 2- 57 /R. 12 /P.II37 0, 374 /Cats. 68 , 71.
83. 1836 - 18 / 1838 - 5 / 1850 - 163 /Lawrence Gallery, 1853 , pl. 27 /
186 0- 144 /Untraced.
84. 1836 - 61 / 1838 - 32 / 1850 - 172 /Lawrence Gallery, 1853 , pl.
6 /Paris, Louvre, Inv. 715 /J 55 ,asRaffaello da Montelupo.
85. 1814 - 257 / 1836 - 7 /184 2- 58 /R. 75 /P.II 337 /Cat. 44.
86. 1836 - 5 /184 2- 63 /R. 3 /P.II 412 /Cat. 58.
87. 1804 - 27 i/184 2- 62 /R. 86 /P.II 82 /Cat. 113.
88. 1836 - 60 / 1838 - 31 / 1850 - 132 ,asVenusti/186 0- 101 /Miss
K. Radford/BM W 71.
89. 1836 - 65 (the provenance is given in 1836 as Buonar-
roti and Wicar, but because the drawing bears the
Bona Rotiinscription, it may not have come from Casa
Buonarroti)/ 1838 - 36 / 1850 - 133 ,asMarcello Venusti/186 0-
102 /BM W 72.
90.Not identified.
91.184 2- 79 /R. 8 /P.II31 4/Cat. 20.
92. 1804 - 27 ii/184 2- 74 /184 6- 49 /R. 66 /P.II 373 /Cat. 70.
93.Pierre Crozat?; his number? 396 at lower left/Count
Moritz von Fries (L. 2903 )/ 1836 - 58 / 1838 - 29 / 1850 - 141 ?,
bought Enthoven, 200 guilders/Lawrence Gallery, 1853 ,
pl. 10 /186 0- 120 /BM W 69.
94. 1814 - 253 / 1836 - 49 /184 2- 42 /184 6- 12 /R. 80 /P.II 332 (all
these include Wicar in the provenance but omit Ottley)/Cat.
56.
95. 1814 - 260 , leaf 2 , iii/184 2- 56 /R. 82 /P.II34 4/Cat. 54.
96.184 2- 53 /R. 44 /P.II 408 /Cat. 78.
97.? 1836 - 45 /184 2- 33 /R. 51 /P.II 409 /Cat. 111.
98.184 2- 5 /R. 19 /P.II 296 /Cat. 7.
99. 1814 - 1758 / 1836 - 55 /184 2- 30 /184 6- 40 /Lawrence Gallery,
1853 , pls. 29 and 31 /R. 18 /P.II 293 /Cat. 4.
100.Not identified.