The Drawings of Michelangelo and His Followers in the Ashmolean Museum

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APPENDIX 2. THE LAWRENCE COLLECTION OF DRAWINGS 435

101.

i. 1836 - 9 /184 2- 17 /R. 42 /P.II37 2/Cat. 69.

ii. 1836 - 9 /184 2- 17 /R. 42 /P.II 307 /Cat. 25.

102. 1836 - 67 /184 2- 37 /R. 69 /P.II 328 /Cat. 46.
     103.184 2- 72 /R. 48. 1 , 2 , 3 /P.II31 2, 313 ,37 8∗/Cats. 19 , 3 , 75.


103. 1814 - 1682 / 1836 - 91 /184 2- 32 /R. 2 /P.II 327 /Cat. 24.


104. 1836 - 31 /184 2- 18 /R. 22 /P.II 291 /Cat. 1.
     106.184 2- 10 /R. 16 /P.II 294 /Cat. 5.


105. 1836 - 81 / 1838 - 47 / 1850 - 166 /Louvre Inv. 714 /J 4.


106. 
     

     i.184 2- 75 /R. 53. 2 /P.II34 8/Cat. 62.
     ii.184 2- 75 /R. 53. 1 /P.II 320 /Cat. 36.
     109 i,ii,iii. Not identified.

     
     


107. 1836 - 6 /184 2- 26 /R. 39 /P.II 42 and 375 /Cat. 8.


108. 1814 - 1769 ; the nature of the inscription on this drawing
     suggests that it came from the Cicciaporci-Cavaceppi group.
     / 1836 - 48 (the provenance given solely as Ottley)/ 1838 -
     25 / 1850 - 168 /186 0- 140 bought Gasc/Vaughan/BM W 91.


109. 1807 - 37 6i?/ 1814 - 1681 /184 2- 67 /184 6- 18 /R. 17 /P.II
     295 (all give the provenance solely as Wicar, with Ottley
     omitted)/Cat. 6.


110. 1804 - 274 ii/ 1814 - 15 8 7ii/184 2- 28 /R. 74 /P.II 345 /Cat.


111. 
     


112. 1836 - 75 / 1838 - 43 / 1850 - 111 /186 0- 143 /BM W 87.


113. 1836 - 16 /184 2- 41 /R. 30 /P.II 325 /Cat. 22.


114. 1836 - 42 / 1838 - 22 / 1850 - 15 7?/Lawrence Gallery, 1853 , pl.
     18 /186 0- 139 /Vaughan/BM W 6.
     117.Moselli Collection Verona before that of Pierre
     Crozat/ 1836 - 59 / 1838 - 30 / 1850 - 124 /Lawrence Gallery, 1853 ,
     pl. 24 /186 0- 138 , bought by Clement/ Emile Galichon, his
     sale, May 1875 , lot 15 /Malcolm 79 /BM W 55.
     118.Perhaps 1836 - 34 / 1838 - 15 / 1850 - 146 , bought by Brond-
     geest, 50 guilders/186 0- 131 ?. Not further identified;
     untraced. See186 0- 131 for further details.

Case 7, Drawer 3

119.Not exhibited in 1836 /August 1838 purchase/ 1850 -

unidentified/Weimar, Sachsen-Weimar Collection/Phillips,

London, 7 July 1999 , lot 122 , 406 ×38 7mm, as Roman

School, sixteenth century.

120.Not identified.

121.Not exhibited in 1836 /part of August 1838 purchase of

William II of Holland?/ 1850 - 241? bought by Brondgeest,

4 guilders/186 0- 99 ?/ Weimar, Sachsen-Weimar Collec-

tion (Von Ritgen photograph, 1865 ,no. 39 as Passerotti);

Gotti, 1875 , II, p. 209 :Ritratto di Michelangelo Buonar-

roti. Bel disegno fatto a penna da B. Passarotti. Collezione di

S. A. R. il Granduca. Proveniente dalle Collezioni Cosway,

Lawrence e Re de’Paesi Bassi;reproduced by Steinmann, 1913 ,

pl. 67 A)/With Thomas le Claire, Hamburg in 1990 (adver-

tisement in theBurlington MagazineJanuary 1990 ,p.v). It is

not clear whether or not the ex-Weimar drawing is identical

with the present number (in which case Woodburn must

have acquired it from Brondgeest between 1850 and 1853 )

and which would, therefore, presumably have been acquired

for the Sachsen-Weimar Collection directly or indirectly at

the186 0sale. An alternative is that the ex-Weimar exam-

ple went directly to the Sachsen-Weimar Collection from

Brondgeest, from which it would follow that186 0- 99 is a

second – but othewise unidentified – portrait drawing of

Michelangelo by Passerotti owned by Lawrence. Passerotti

made several drawn portraits of Michelangelo (see Cat. 107 ).

11.Julio Clovio

Case 5, Drawer 2

122.

i.It may be that the Crucifixion was a second copy by

Clovio of that drawn for Vittoria Colonna (see the descrip-

tion at 1830 - 21 i), but none of those known to the compiler

bears the Lawrence dry stamp.

ii.Not identified.

26.B.Franco

Case 5, Drawer 3

123.Probably 1814 - 1503 ,asMichelangelo. Probably iden-

tical with the highly Michelangelesque drawing by Battista

Franco, now in the British Museum, GP 133 ; the provenance

given solely as Lawrence.

52. P. P. Rubens
    Case 7, Drawer 2
    124.P. H. Lankrink (L. 2090 )/Not exhibited in Wood-
    burn’s Rubens exhibition of 1835 /Part of August
    1838 purchase/ 1850 -unidentified/Weimar, Sachsen-Weimar
    Collection (Von Ritgen photograph, 1865 ,no. 12 as
    Rubens)/Phillips, London, 7 July 1999 , lot 115 ,black and
    red chalk, 467 × 690 mm.


53. P. P. Rubens
    Case 5, Drawer 1


54. P.-J. Mariette (L. 1852 ), his sale 1875 , part of lot
    1022 /Woodburn’s 1835 Rubens exhibition, no. 27 /186 0-
    789 bought by Farrer/E. Galichon, his sale Paris, 10 – 14
    May 1875 , lot 18 , bought in/L. Galichon, his sale Paris,
    4 – 9 March18 95, lot 12 .Bequest of Jacques Petithory to
    the Musee Bonnat, Bayonne, Inv. CMNI ́ 31 4 7. The tech-
    nique and dimensions as given in Woodburn’s 1835 Rubens