P 1 : JZP
0521551335 apx 2 a CUNY 160 /Joannides 052155 133 1 January 11 , 2007 14 : 21
436 APPENDIX 2. THE LAWRENCE COLLECTION OF DRAWINGSexhibition catalogue correspond precisely with those of the
drawing now in Bayonne: black chalk heightened with white
body colour, the contours reworked with pen and ink,
186 × 242 (enlarged to 285 × 242 mm).- F. Parmiggiano
Case, Drawer 2
126.Not identified.
81.
Case, Drawer 3
127.One of these four might be the variant in Edinburgh,
National Gallery of Scotland (Inv. RSA 981 ;black chalk and
brown wash, 258 × 200 mm) of Michelangelo’sRest on the
Flight into Egyptin the J. Paul Getty Museum, attributed by
the compiler (Joannides, 1998 )toAgnolo Bronzino.
128 i,ii. Not identified.
129.Not identified.82.
Case 7, Drawer 1
130 i,ii. These are not to be confused with 82 i,ii.
131.This seems to have been retained by Woodburn;186 0-
669 (one of twelve in that lot) £ 1. 11. 6 dtoSir Thomas
Phillipps/BM W 85 ).Va r i a
Case 7, Drawer 2
132.Not identified.
133 i,ii,ii,iv,v.All not identified.Lud. Carrachi
Case 7. Drawer 1.
134.Not identified.
135.Not identified.- Varia
Case 6, Drawer 1
136 i,ii,iii,iv.The “Hercules at Fontainbleau” is presum-
ably184 2- 39 (Raphael)/R. 151 /P.II 644 /Cat. 81.
Case 7, Drawer 1
137.184 2- 20 /R. 14 /P.II 351 /Cat. 65.
138.Not exhibited in 1836 /August 1838 purchase?/ 1850 -
83 ?asSebastiano; not further traced.139 i,ii,iii,iv,v.
i.Perhaps 1814 - 15 0 2,asfromthe collection of Lam-
berto Gori/ 1836 - 98 (with the provenance given incorrectly
as Buonarroti and Wicar, that from Gori omitted.)/ 1838 -
57 / 1850 - 148 bought by Brondgeest/Weimar, Sachsen-
Weimar Collection/Phillips, London, 7 July 1999 , lot 119 ,
black chalk, 393 × 229 mm, as circle of Daniele da Volterra.
See 1850 - 148 for further details.
ii.Perhaps part of186 0- 153 /Brussels, E. Wauters Col-
lection, red chalk, 270 × 190 mm (K. Frey, 1909 – 11 ,
pl. 250 )/Sold Christie’s, London, 8 April 1986 , lot 23 /Seen
bythe compiler in a French private collection c. 1992 , bear-
ing the Lawrence dry stamp. See186 0- 153 for further details.
It must be stressed that these two identifications are
entirely conjectural. No suggestion can be offered about the
remaining three drawings.
140 i,ii,iii,iv.Not identified.89.
Case 11, Drawer 5
141.
i.Not identified.
ii. 1836 - 46 /184 2- 8 /R. 83 as Jacopo Sansovino/P.II 415 as
Naldini/Cat. 112 as Muziano.
91.
Case 11, Drawer 4
142 i,ii,iii.Probably186 0- 133 i,ii,iii, bought by Bloxam,
£ 1. 5 s. One of these copies must be the drawing afterAdam
and Abel,black chalk, 250 × 403 mm, in Rugby School, Inv.
R/S II 18. The others are not currently identifiable.Case 11, Drawer 3
143 i,ii.This entry probably included two copies after the
same figure, one in red chalk, the other in black.
i.Richardson/Sir J. Reynolds/William Young Ottley,
1804 - 279 ii/Woodburn’s seventh exhibition as Andrea del
Sarto, no. 79 /186 0- 827 , bought by Morant, £ 5. 5 s/The
Marquess of Northampton, Castle Ashby, Northampton;
his sale at Christie’s London, 1 May 1959 , lot 6 /P.&D.
Colnaghi, London/N. Embiricos, London/Christie’s, New
York, 24 January 2001 , lot 8 ,asSalviati; 2003 with Jean-Luc
Baroni, London; red chalk, 422 × 211 mm. See 1804 - 279 ii
for further details.
ii.Probably Richardson/Sir J. Reynolds?/William Young
Ottley, 1804 - 279 iii/186 0- 830 ii as Andrea Del Sarto, bought
Sir Robert Ker £ 1. 10 s/Admiral Sir George King-Hall,
1930 ,Mrs B.McLeod; sale at Sotheby’s, London, 27 Octo-
ber 1948 , lot 67 /Bought by de Belleroche, £ 36 /Untraced.
See 1804 - 279 iii for further details.