168 contemporary poetry
- Ian Davidson, ‘Picture This: Space and Time in Lisa
Robertson’s Utopia’, Mosaic, 40. 4 ( 2007 ), 87 – 102. - Edwin Morgan, ‘The Poet and the City’, Comparative Criticism,
18 ( 1996 ), 91 – 105 (p. 92 ). - Edwin Morgan, Glasgow Sonnets, in Selected Poems (Manchester:
Carcanet, 1985 ), pp. 78 – 82 (p. 78 ). All subsequent references
to this edition are given in the text. - Lefebvre, The Production of Space, p. 26.
- Kathleen Jamie, The Queen of Sheba (Newcastle: Bloodaxe,
1995 ) p. 9. All subsequent references to this edition are given
in the text. - Paula Meehan, Painting Rain (Manchester: Carcanet, 2009 ),
pp. 28 – 33. All subsequent references to this edition are given
in the text. - Guy Debord, ‘Introduction to a Critique of Urban Geography’,
in Harald Bauder and Salvatore Engel-Di Mauro (eds), Critical
Geographies: A Collection of Readings (Kelowna, BC: Praxis
e-Press, 2008 ), p. 23. - Guy Debord, ‘Theory of the Dérive’, in Joanne Morra and
Marquard Smith (eds), Visual Culture: Spaces of Visual Culture
(London: Routledge, 2006 ), p. 77. - Ibid. p. 77.
- Iain Sinclair, Penguin Modern Poets: Douglas Oliver, Denise
Riley, Iain Sinclair (London: Penguin, 1996 ), p. 97. All subse-
quent references to this edition are given in the text. - Robert Hampson, ‘Spatial Stories: Conrad and Ian Sinclair’,
The Conradian: The Journal of the Joseph Conrad Society, 31. 1
( 2006 ), 52 – 71 (p. 69 ). - Jenny Bavidge, cited in Hampson ‘Spatial Stories’,
p. 69. - Robert Minhinnick, King Driftwood (Manchester: Carcanet,
2008 ), p. 97. All subsequent references to this edition are given
in the text. - Robert Minhinnick, Watching the Fire Eater (Bridgend: Seren,
1992 ), p. 21. - Ibid. p. 23.
- Ian Gregson,^ ‘The Baghdad Moon, the Pepsi Globe: Robert
Minhinnick’, PN Review, 31. 6 ( 2005 ), 53.