40 Watercolor artist | AUGUST 2019
NEAR and FA R
ANGUS McEWAN, WHO BELIEVES A PAINTING SHOULD WORK
BOTH FROM A DISTANCE AND UP CLOSE, SKILLFULLY USES COMPOSITION
AND TEXTURE TO DRAW IN VIEWERS.
By Louella Miles
T
here are many things that
fascinate in an Angus
McEwan painting. Th ere’s the
light, which varies according
to the part of the world in which
he fi nds himself. Th ere’s the texture—
the depth of which is rare in water-
color. Th ere’s the composition, which
always takes you on a journey. And
then there’s the minute attention to
detail. To each aspect there’s a story
attached. But fi rst, a bit about the
artist himself.
WORKING WITHOUT
GROUND RULES
McEwan grew up in Scotland, where he
still lives. He’d wanted to be an artist
since he was 5 years old, and that desire
drove everything he did at school and
all that he wanted to do in life.
“I was born in the early ’60s, when
we didn’t have as many distractions,”
he says. “When I went with my parents
somewhere, I’d take along a sketchpad
and pencils, whiling away the time by
drawing. I got a lot of pleasure from
it—and a lot of encouragement. If you
LEFT
Colour of Time
(watercolor on
paper, 17x12)
RIGHT
Tea Break
(watercolor on
paper, 22x15)