1997 Haarlemmermmeer Gallery; Amsterdam, The Nether-
lands
1998 APEX Art; New York, New York
2000 Akademie der Ku ̈nste; Berlin, Germany
Ru ̈diger Scho ̈ttle Gallery; Munich, Germany
Contemporary Art Center; Vilnius, Lithuania,
Turner Prize; Tate Britain, London, England
Apocalypse, Beauty and Horror in Contemporary Art;
Royal Academy of Arts, London, England
Vanishing Points; Groupe Premiere Heure, Saint-
Cloud, Paris, France
Protest and Survive; Whitechapel Art Gallery, Lon-
don, England
Complicity; Australian Centre for Photography, Syd-
ney, Australia
The Sea & The Sky; The Royal Hibernian Academy,
Philadelphia, Pennsylvania
Dire AIDS: Art in the Age of Aids; Promotrice della
Bella Arte, Turin, Italy
90 60 90; Museo Jacobo Borges, Caracas, Venezuela
The British Art Show 5; Edinburgh, Southampton,
Cardiff and Birmingham, United Kingdom
The Oldest Possible Memory; Kokremise St. Gallen
Joitakin Osia maailmasta/Some Parts of this World;
Helsinki Photography Festival, Helsinki, Finland
Lost; Ikon Gallery, Birmingham, England
Everyday in 20th Century Art; Castello die Rivoli—
Museo d’Arte Contemporanea, Rivoli, Turin, Italy
Landscape; Weimar, Germany; Moscow, St. Peters-
burg, Russia; Rome, Italy; Madrid, Spain; Rio de
Janeiro and Sao Paulo, Brazil AutoWerke—Euro-
pa ̈ische und Amerikanische Fotografie
2001 Uniforms, Order and Disorder; Pitti Immagine, Flor-
ence, Italy; P.S.1 Contemporary Art Center, New
York, New York; Century City, Tate Modern, Lon-
don, England; Neue Welt, Frankfurter Kunstverein,
Frankfurt am Main, Germany; AC-Saal, Museum Lud-
wig, Ko ̈ln, GermanyZero Gravity; Kunsthalle, Du ̈ssel-
dorf, Germany
Contemporary Utopia; Arzemju Ma ́kslas Muzejs
(Museum of Foreign Art), Riga, Latvia
The Contemporary Face; Deichtorhallen, Hamburg,
Germany
Open City—Street Photographs 1950–2000; Museum
of Modern Art, Oxford, England
2003 M_ARS—Art and War; Neue Galerie am Landesmu-
seum Joanneum, Graz, Austria
Inaugural Exhibition; Regen Projects, Los Angeles,
California
Fast Forward; ZKM|Museum fu ̈r Neue Kunst, Karls-
ruhe, Germany
Heiliger Sebastian—A Splendid Readiness For Death;
Kunsthalle Wien, Vienna, AustriaSelected Works
Susanne and Lutz Londres, 1992
Sportflecken, 1996
Blushes, 2000
Picadilly Line, 2000
Icestorm, 2001
Lights (body) video, 2002Further Reading
Moffatt, Tracey, Elizabeth Peyton, and Wolfgang Tillmans.
Parkett 53. Zurich: Parkett Publishers, 1998.
Riemscneider, Burkhard. Wolfgang Tillmans. Cologne:
Taschen, 2002.
Tillmans, Wolfgang.Wolfgang Tillmans: If One Thing Mat-
ters, Everything Matters. London: Tate, 2003.
Tillmans, Wolfgang.View From Above. Ostfildern: Hatje
Cantz Editions, 2002.
Verwoert, Jan.Wolfgang Tillmans (Contemporary Artists).
London: Phaidon Press, 2002.TIME EXPOSURE
Exposure is the amount of light that hits the film in
a conventional camera, or the digital mechanism
on a digital camera. A camera’s built-in meter sug-
gests the correct exposure to capture the image in
the viewfinder. Handheld light meters can also be
utilized to test the scene for the correct exposure. In
seeking normal exposure, by setting the camera to
the manual (M) mode, the photographer meters the
shadows and the highlights, then averages the two
for the correct exposure.
Time exposure is a technique to extend or cir-
cumvent the pre-set limitations of the modern cam-
era, specifically, keeping the shutter of the camera
open longer than the longest shutter speed of the
instrument. It also describes any exposure longer
than one second, which is generally the longest
exposure built into modern cameras. Most large-
format or view cameras allow for several second
exposures to unlimited periods of time. Many 35
mm cameras feature a bulb (B or T) setting forTIME EXPOSURE