Exposure, 470–472
effects on film, 471, 472
further reading, 472
incorrect, 155
measurement, 470, 471
settings, 471
Expressionism, 73, 74
Extreme formalism, Brandt’s, 161
The Eye of Paris, 162F
Family life, images of, 43
Family photography, 473–478
further reading, 478
practice, 475–478
technology, 473–475
Fani-Kayode, Rotimi, 479–481
biography, 480
further reading, 481
group exhibitions, 480
individual exhibitions, 480
Nigerian, 479, 480
selected works, 480
FAP,seeFederal Arts Project
Farm Security Administration (FSA), 481–484, 1588
further reading, 484
Library of Congress FSA-OWI collection, 1643
the South and, 1593
survey team, 1586, 1587
Fashion photography, 484–490
business of, 488, 489
definition of, 487, 488
further reading, 490
Hollywood glamour photography, 489, 490
Faucon, Bernard, 491–495
biography, 492
films, 495
French, 491, 492
group exhibitions, 493–495
individual exhibitions, 492, 493
Faurer, Louis, 496–498
American, 496, 497
biography, 497
further reading, 498
group exhibitions, 497, 498
individual exhibitions, 497
selected works, 498
FBI,seeFederal Bureau of Investigation
Federal Arts Project (FAP), 2
Federal Bureau of Investigation (FBI), 345
Feininger, Andreas, 498–501
American, 498, 499
biography, 499, 500
further reading, 500
group exhibitions, 500
individual exhibitions, 500
selected works, 500
Feininger, T. Lux, 502–504
biography, 503
further reading, 504
German, 502–503
group exhibitions, 504individual exhibitions, 503–504
selected works, 504
Feldmann, Hans-Peter, 504–508
biography, 506
further reading, 508
German, 504–506
group exhibitions, 506, 507
individual exhibitions, 506
selected works, 507
Felix H. Man Memorial Prize, 90
Feminist photography, 508–513
further reading, 512, 513
gender discourse of 1970s–1980s, 509–511
other voices of 1980s and after, 511, 512
women’s movement of 1970s, 508, 509
Feminist theory, Claude Cahun and, 200
Festivals, 513–516
Festivals, websites, 515, 516
Film(s), 516–521
bracketing and wasting of, 156
calotype, 517
celluloid-based photographic film, invention of, 77
cellulose acetate, 318
color films, 517, 518
color transparency, 301
daguerreotype, 516, 517
daylight, 299
digital, 218
film speed, 518, 519
film’s evolution, 518
further reading, 521
grain, 519
graininess and, 302
high-contrast, 521, 522
history, 516
how image is recorded, 519–521
density and exposure, 520
formation of image, 519, 520
response to light, 519
spectral sensitivity, 520, 521
structure, 519
infrared, 523, 524
Kodachrome, 301
Kodak 103a spectroscopic, 77
modern film, 518
Polaroid, 214
safety, 319
sensitivity, 215
sheet, 214
speed(s)
contrast and, 327
point-and-shoot cameras, 228
shutter speed and, 212
storage and handling, 519
SX70/Time Zero, 222
tungsten, 299
wet collodion, 517
Filters, 213, 524–526
behavior of light, 524
contrast and, 327
filter factors, 525, 526
further reading, 526
magenta, 300
types of, 524, 525
uses of, 525INDEX
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