ArtistsNetwork.com 63acting as visual anchors. I also look
for elements that will enhance the
story through strong verticals, such
as poles, sign posts and windows.
In addition, I note pockets of color
that will help accentuate the perspec-
tive and direct attention to the center
of interest.
PAINTING EXECUTION
At this point in the process, I’ve made
the structural design decisions that
create the vision for the painting and
am ready to lay in the initial back-
ground applications by introducing
both warm and cool washes (I; detail).
With the structural decisions fi rmed
up and the background washes down,
I’m able to exercise creative freedom
as I develop the painting. Using darker
values, I move the painting toward the
viewer and around the center of inter-
est (J; detail). To complete the piece,
I introduce fl ourishing marks, high-
lights, dry brushstrokes and details
that enhance the drama and bring out
the compelling story (K).
By the time I add fi nal details to
the painting (L and on page 60), I’ve
created a backdrop that draws in the
viewer. Th e stage has been set, the
actors are in place, and all that’s left
is for the viewer to tap into memories,
feelings and emotions to complete a
personal and dramatic story. WASteve Griggs (stevegriggswatercolor.
com) is a nationally known, award-
winning artist and workshop instructor
from Colorado. Sue Martin Griggs, also
known as Th e Artist Whisperer, is his
life and business partner.I JK L