- DIORAMAS277
- Ibid.
- L. Nochlin 1971, Realism (London: Penguin), 13–15.
- B. Prendeville 2000, Realism in Twentieth-Century Painting (London: Thames and
Hudson), 7–12. - Ibid., 7.
- L. J. Freeman 1901, Italian Sculpture of the Renaissance (Whitefish: Kessinger),
12–13. - A. D. Stokes 1955, Michelangelo: a Study in the Nature of Art (London: Routledge), 75.
- C. Pedretti 1973, Leonardo: A Study in Chronology and Style (Berkeley: University of
California Press), 97. - Kemp 2000:61.
- Browne 1896:5.
- J. S. Memes 1825, Memories of Antonio Canova: With a Critical Analysis of His Works
and Historical Views of Modern Sculpture (Edinburgh: Archibald Constable), 223. - J. J. Winckelmann 1755, “Reflections on the Imitation of Greek Works in Painting and
Sculpture,” in D. Preziosi, ed., The Art of Art History: A Critical Anthology (Oxford:
Oxford University Press, 1998), 31. - D. K. Holt 2001, The Search for Aesthetic Meaning in the Visual Arts: The Need for the
Aesthetic Tradition in Contemporary Art Theory and Education (Chicago: Green-
wood), 51. - Winckelmann 1755:35.
- J. Harrell, C. Barrett, and D. Petsch, eds., 2006, History of Aesthetics (London: Con-
tinuum), 48–74. - Winckelmann 1755:35.
- Holt 2001:51.
- G. P. R. Métraux 1995, Sculptures and Physicians in Fifth-Century Greece: A Prelimi-
nary Study (Montreal: McGill-Queen’s University Press). - Ibid., 53.
- Aristotle, n.d., “The Nature of Poetic Imitation: From the Poetics,” in G. Dickie, R.
Sclafani, and R. Roblin, eds., 1989, Aesthetics: A Critical Anthology (New York: St. Mar-
tin’s), 44–45. - Ibid.
- Harrell, Barrett, and Petsch 2006:189.
- E. Chapman 2012, Prove It on Me: New Negroes, Sex, and Popular Culture in the 1920s
(Oxford: Oxford University Press), 9. - Ibid., 190.
- Haraway 1984:24.
- Hegel, cited in Nochlin 1971:14.
- Haraway 1984:53–58.
- M. Foucault 1961, History of Madness (London: Routledge, 2006, 2009), 569 and 457.
- U. Eco 1995, Travels in Hyperreality (San Diego: Harcourt), 8–9.
- C. Avery 2002, “Forms in Space, c. 1700–1770,” in M. Kemp, ed., The Oxford History of
Western Art (Oxford: Oxford University Press), 280–281.
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