2783. DIORAMAS
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tory of Western Art (Oxford: Oxford University Press), 290–293. - H. W. Jason 1985, Nineteenth-Century Sculpture (New York: Abrams).
- In this instance, the term Realist is employed to define the Realist movement in art that
developed in France starting in the 1840s as a challenge to Romanticism and History
painting. Nochlin 1971:13–57. - J. Goodman 2002, “Pictures and Public,” in M.p, ed., The Oxford History of Western
Art (Oxford: Oxford University Press), 304–311, ref. on 304. - Jason 1985.
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Spectacle, 1851–1914 (Stanford: Stanford University Press), 3–4. - C. Frost 1981, Victorian Taxidermy: Its History and Finest Exponents (Long Melford:
Privately published by the author), 7. - P. A. Morris 2010, A History of Taxidermy: Art, Science and Bad Taste (Ascot: MPM), 54.
- Frost 1981:7.
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Mito all’Immaginario Scientifico (Milano: Skira), 202. - D. Fox 2008, “Constructed Reality: The Diorama as Art,” Antennae: The Journal of
Nature in Visual Culture, no. 6 (Summer): 13–20.
4. THE END OF THE DAYDREAM
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