- THE END OF THE DAYDREAM279
- R. Broglio 2011, Surface Encounters: Thinking with Animals and Art (Minneapolis: Uni-
versity of Minnesota Press), xvi. - M. Foucault 1966, The Order of Things: An Archaeology of the Human Science (London:
Routledge, 1970, 2003), 332. - Ibid., 330–374; M. Foucault and N. Bourriaud 1971/2009, Manet and the Object of
Painting (London: Tate, 2011). - Foucault 1966:273.
- Ibid., 330–374.
- Ibid., 369.
- C. Baudelaire 1863, “The Painter of Modern Life,” in The Painter of Modern Life and
Other Essays (London: Phaidon), 1964. - Ibid.
- The germ of a speculative attitude toward realism can be indeed found in Foucault’s
work, especially as he claims that at this point “natural things become more than nat-
ural,” that is, they transcend the crystallized ontology of realism, which classical art
relied upon in the uttering of affirmation. M. Foucault 1984b, “What Is Enlighten-
ment?” in P. Rainbow, ed., The Foucault Reader (New York: Pantheon), 32–50. - The germ of a speculative attitude toward realism can be indeed found in Foucault’s
work, especially as he claims that at this point “ ‘natural’ things become ‘more than
natural’ ” (ibid., 41); that is, they transcend the crystallized ontology of realism, which
classical art relied upon in the uttering of affirmation. - Foucault 1966:314.
- Ibid., 142.
- M. Brower 2011, Developing Animals: Wildlife and Early American Photography Min-
neapolis: University of Minnesota Press), xvii. - Ibid., 25–82.
- J. R. Ryan 1997, Picturing Empire: Photography and the Visualization of the British Em-
pire (London: Reaktion), 110–112. - Ibid., 100–101.
- J. Berger 1980, “Why Look at Animals?” In About Looking (London, Vintage, 1993), 16.
- Ibid., 17.
- Ibid.
- Although Berger made no mention of taxidermy in his text, it is possible to argue that
taxidermy dioramas also operated according to economies of representation and con-
sumption very similar to those of wildlife photography. - R. Horn, “Roni Horn aka Roni Horn: Explore the Exhibition, Themes, Pairs,” Tate
O n l i n e , h t t p : / / w w w. t a t e. o r g. u k / w h a t s - o n / t a t e - m o d e r n / e x h i b i t i o n / r o n i - h o r n - a k a - r o n i
-horn /roni -horn -aka -roni -horn -explore -exhibition -3. - These concepts had considerably shifted since their formulation in The Order of Things,
also through Magritte’s own argumentation of the subject. M. Jay 1986, “In the Empire
of the Gaze: Foucault and the Denigration of Vision in Twentieth-Century French
Thought,” in D. Hoy, ed., Foucault: A Critical Reader (London: Wiley-Blackwell),
175–204.
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