Speculative Taxidermy

7. THIS IS NOT A HORSE287


8. C. J. Adams 1990, The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory,
   20th anniv. ed. (New York: Continuum, 2010), 13.


9. R. Cassidy 2002, The Sport of Kings: Kinship, Class and Thoroughbred Breeding in New-
   market (Cambridge: Cambridge University Press), 140–160.


10. Ibid.


11. Ibid., 168.


12. Ibid., 160.


13. V. Despret 2004, “The Body We Care For: Figures of Anthropo-zoo-genesis,” Body and
    Society 10, no. 2: 121, quoted in D. J. Haraway 2008, When Species Meet (Minneapolis:
    University of Minnesota Press), 229.


14. K. Barad 2003, “Posthumanist Performativity: Towards an Understanding of How
    Matter Comes to Matter,” Signs: Journal of Women in Culture and Society 28, no. 3:
    801–831.


15. Ibid., 808.


16. Ibid., 811.


17. Ibid., 814.


18. Ibid., 815.


19. Ibid., 821.


20. THIS IS NOT A HORSE

M. Kundera 1984, The Unbearable Lightness of Being (New York: Harper and Row), 290; S.
Bishop 2009, “It’s Hard to Make a Stand,” Saatchi Gallery website, http: //www .saatchigallery

. c o m / a r t i s t s / s t e v e _ b i s h o p. h t m.

1. H. Foster 1996, The Return of the Real (Cambridge: MIT Press), 108–109.


2. The term commodity sculpture is here appropriated from Foster’s discussion of the art
   produced in the World War II period. Ibid., 107.


3. T. de Duve 1984, Pictorial Nominalism: On Marcel Duchamp’s Passage from Painting to
   the Readymade (Minneapolis: University of Minnesota Press), 88.


4. I. Kant 1914, Critique of Judgement (New York: Cosimo, 2007), 27–57.


5. A. Breton 1924, “First Manifesto of Surrealism,” in R. Seaver and H. R. Lane, trans.,
   Manifestoes of Surrealism (Ann Arbor: University of Michigan Press, 1969), 34.


6. U. Lehmann 2011, “The Surrealist Object and Subject in Materialism: Notes on the Un-
   derstanding of the Object in Surrealism,” in I. Pfeiffer and M. Hollein, eds., Surreal
   Objects: Three-Dimensional Works of Art from Dali to Man Ray (Ost fi ldern: Hatje
   Cantz), 129–135, quote on 134–135.


7. E. Fudge 2012, “Renaissance Animal Things,” New Formations, no. 76 (Autumn):
   86–100.


8. Ibid., 89.


9. Ibid., 87.