Speculative Taxidermy

(Joyce) #1
BIBLIOGRAPHY305

McHugh, S. 2004. Dog. London: Reaktion.
McHugh, S. 2011. Animal Stories: Narrating across Species Lines. Minneapolis: University of
Minnesota Press.
McKay, B. 2011. “The Return of Taxidermy.” The Art of Manliness Trunk [blog]. http: //www.
a r t o f m a n l i n e s s. c o m / t r u n k / 1 6 4 7 / t h e - r e t u r n - o f - t a x i d e r m y /.
Meillassoux, Q. 2006. Après la finitude: Essai sur la nécessité de la contingence. L’ordre philos-
ophique. Paris: Seuil.
Meillassoux, Q. 2008. After Finitude: An Essay on the Necessity of Contingency. Trans. Ray
Brassier. London: Continuum.
Melguen, M. 2005. “French Voyages of Exploration and Science in the Age of Enlightenment:
An Ocean of Discovery throughout the Pacific Ocean.” In J.W. Markham and A. L. Duda,
eds., Voyages of Discovery: Parting the Seas of Information Technology: Proceedings of the
30th Annual Conference of the International Association of Aquatic and Marine Science Li-
braries and Information Centers, 31–59. Fort Pierce: IAMSLIC.
Memes, J. S. 1825. Memories of Antonio Canova: With a Critical Analysis of His Works and
Historical Views of Modern Sculpture. Edinburgh: Archibald Constable.
Merleau-Ponty, M. 1945. Sense and Non-Sense. Evanston: Northwestern University Press. 1992.
Merleau-Ponty, M. 1948. Phenomenology of Perception. London: Routledge. 2013.
Métraux, G. P. R. 1995. Sculptures and Physicians in Fifth-Century Greece: A Preliminary Study.
Montreal: McGill-Queen’s University Press.
Metz, C. 1985. “Photography and Fetish.” October 34 (Autumn): 81–90.
Mileaf, J. 2010. Please Touch: Dada and Surrealist Objects after the Readymade. Hanover: Dart-
mouth College Press.
Milgrom, M. 2010. Still Life: Adventures in Taxidermy. Boston: Houghton Mifflin Harcourt.
Millard, C. 1976. The Sculpture of Edgar Degas. Princeton: Princeton University Press.
Mirzoeff, N. 2014. “Visualizing the Anthropocene.” Public Culture 26, no. 2: 73, 213–232.
Mitchell, W. J. T. 2005. What to Do with Pictures? The Lives and Loves of Images. Chicago: Uni-
versity of Chicago Press.
Mntambo, N. 2007. “Locating Me in Order to See You.” MA thesis, University of Cape Town.
Moffett, C. S. ed. 1986. The New Painting: Impressionism 1874–1886. San Francisco: Fine Arts
Museum of San Francisco.
Molesworth, H. 2005. “Eros and the Readymade.”In S. Melville, ed., The Lure of the Object,
193–202. New Haven: Yale University Press.
Morgan, D. 2009. “Enchantment, Disenchantment, Re-Enchantment.” In J. Elkins and D.
Morgan, eds., Re-Enchantment, 3–22. London: Routledge.
Morris, P. A. 2010. A History of Taxidermy: Art, Science and Bad Taste. Ascot: MPM.
Morton, T. 2010. The Ecological Thought. Cambridge: Harvard University Press.
Morton, T. 2016. Dark Ecology: For a Logic of Future Coexistence. New York: Columbia Uni-
versity Press.
Mouton-Fontenille, J. P. 1811. Traité Elémentaire d’Ornithologie, Suivi de l’Art d’Empailler les
Oiseaux. Lyon: Yvernault & Cabin.
Munster, H. 2006. Materializing New Media: Embodiment in Information Aesthetics. Lebanon:
Dartmouth College Press.

Free download pdf