306BIBLIOGRAPHY
Muybridge, F. 1887. Animal Locomotion: The Muybridge Work at the University of Pennsylva-
nia. Philadelphia: Lippincott.
Nayar, P. K. 2010. An Introduction to New Media and Cybercultures. Malden: Wiley-Blackwell.
Niesel, J. 1994. “The Horror of Everyday Life: Taxidermy, Aesthetics, and Consumption in
Horror Films.” Journal of Criminal Justice and Popular Culture 2, no. 4: 61–80.
Nietzsche, F. 1872. The Birth of Tragedy and Other Writings. Ed. R. Guess and R. Speirs. Cam-
bridge: Cambridge University Press, 1999.
Nietzsche, F. 1873–1876. Untimely Meditations. Cambridge: Cambridge University Press, 1997.
Nietzsche, F. 1878. Human All Too Human: A Book for Free Spirits. Cambridge: Cambridge
University Press, 1996.
Nietzsche, N. 1887. The Genealogy of Morals. Trans. H. B. Samuel. Oxford: Oxford University
Press, 1913, 1997.
Nochlin, L. 1971. Realism. London: Penguin.
Oliver, K. 2013. Animal Lessons: How They Teach Us to Be Human. New York: Columbia Uni-
versity Press.
Outram, D. 1996. “New Spaces in Natural History.” In N. Jardine, J. A. Secord, and E. C. Spary,
eds., Cultures of Natural History, 249–265. Cambridge: Cambridge University Press.
Ovid. n.d. Metamorphoses. Trans. M. M. Innes. London: Penguin, 1955.
Palmer, C. 2001. “ ‘Taming the Wild Profusion of Existing Things’? A Study of Foucault, Power,
and Human-Animal Relations?” Environmental Ethics 23, no. 4: 339–358.
Panofsky, E. 1939. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. Boul-
der: Westview, 1972.
Patchett, M. 2006. “Animal as Object: Taxidermy and the Charting of Afterlives.” Paper
presented at Making Animal Afterlives, Hunterian Zoology Museum, University of
Glasgow.
Patchett, M. 2010. “Putting Animals on Display: Geographies of Taxidermy Practice.” PhD
diss., University of Glasgow.
Patton, P. 2003. “Language, Power, and the Training of Horses.” In C. Wolfe, ed., Zoontolo-
gies: The Question of the Animal. Minneapolis: University of Minnesota Press.
Pearce, S., and K. Arnold. 2000. The Collector’s Voice: Critical Readings in the Practice of Col-
lecting. Vol. 2. Burlington: Ashgate.
Pedretti, C. 1973. Leonardo: A Study in Chronology and Style. Berkeley: University of Califor-
nia Press.
Pentecost, C. 2012. “Notes from Underground.” Part of the series 100 Notes, 100 Thoughts:
dOCUMENTA. Berlin: Hatje Cantz.
Petiver, J. 1696. “Brief Instructions for the Easy Making and Preserving Collections of All Nat-
ural Curiosities.” Appendix in J. Petiver, Musei Petiveriani Centuria Secunda & Tertia
Rariora Naturae Continens. London.
Platzman, S. 2001. Cézanne: The Self-Portraits. Berkeley: University of California Press.
Poggi, C. 1993. In Defiance of Painting: Cubism, Futurism and the Invention of Collage. Lon-
don: Yale University Press.
Poliquin, R. 2008. “The Matter and Meaning of Museum Taxidermy.” Museum and Society 6,
no. 2 (July): 123–134.