196 Notes
- I b i d.
- Ren é e Schatteman, “Describing the Master Narrative: An Interview
with Caryl Phillips,” in Conversations with Caryl Phillips , ed. Renee
T. Schatteman (Mississippi: University Press of Mississippi, 2009),
p. 53. - P i e r r e M a c h e r e y , In a Materialist Way, trans. Ted Stolze (London:
Ver so, 1998). - I b i d.
- D e n n i s J. S c h m i d t , Lyrical and Ethical Subjects: Essays on the Periphery
of the Word, Freedom, and History (New York: State University of New
York, 2005), p. 48. - Ibid., p. 47.
- Abigail Ward, “An Outstretched Hand: Connection and Affiliation
in Crossing the River,” Moving Worlds: A Journal of Transcultural
Writings , 7 (2007), 20–32 (p. 23).
1 0. S e e G r a h a m A l l e n , Intertextuality: A New Critical Idiom (London:
Routledge, 2000), p. 23. - See Bakhtin’s account of dialogism in Tolstoy, in Mikhail Bakhtin,
The Dialogic Imagination: Four Essays by M. M. Bakhtin , ed. Michael
Holquist, trans. Caryl Emerson and Michael Holquist (Austin:
University of Texas Press, 1981), p. 283. - Lars Eckstein, “Dialogism in Caryl Phillips’s Cambridge: Or the
Democratisation of Cultural Memory,” World Literature in English ,
39.1 (2001), 54–74 (p. 54). - Ibid., p. 62.
1 4. I b i d. - Caryl Phillips, Higher Ground (London: Vintage, 2006), p. 191.
- Timothy Bewes, “Shame, Ventriloquy, and the Problem of the Clich é
in Caryl Phillips,” Cultural Critique , 63 (2006), 33–60 (p. 48). - Stephen Clingman, The Grammar of Identity: Transnational Fiction
and the Nature of the Boundary (Oxford: Oxford University Press,
2009), pp. 81–82.
1 8. L a u r i e V i c k r o y , Trauma and Survival in Contemporary Fiction (Virginia:
University of Virginia Press, 2002), pp. 3–4.
1 9. I b i d.
2 0. E m m a n u e l L e v i n a s , Totality and Infinity: An Essay on Exteriority , trans.
Alphonso Lingis (The Hague, Boston, and London: Martinus Nijhoff,
1979). - See Bryan S. Turner, “Classical Sociology”; p. 57; Walkowitz,
Cosmopolitan Style , p. 2; and Anderson, Powers of Distance , p. 6.