92 THE CARAVAN
“People come from
everywhere to this city;/ All
are welcomed with a stare in
New Delhi,” writes Michael
Creighton in the title poem
of his first book, New Delhi
Long Songs. Creighton is an American poet who has taught
middle school in Delhi for over a decade. His poems are
marked by compassion and empathy for ordinary people—
peons, shopkeepers and labourers—in this metropolis of
migrants, who seek small pleasures in a difficult city.
speaking tiger, 136 pages, S 299
THE BOOKSHELF
The elephanT
in The Room
Women DRaW
TheiR WoRlD
Spring Collective
A refugee from East Paki-
stan who grew up in a gov-
ernment resettlement colony
in Dandakaranya, Chattis-
garh, Manoranjan Byapari
ran away and ended up in
Kolkata, became involved in the violence of the Naxalite
movement and later led a life of low-wage work and petty
crime. He eventually landed in prison, where he learned to
read and write, and slowly transformed his life. Byapari is a
Namashudra, part of one of the largest Dalit communities in
Bengal. Class, caste, politics and violence are as intertwined
in his narrative as they are in Bengali society.
sage samya, 550 pages, S 384
inTeRRogaTing
my ChanDal life
an auTobiogRaphy
of a DaliT
by Manoranjan Byapari
Translated by
Sipra Mukherjee
fi Re anD fuRy
insiDe The TRump
WhiTe house
Michael Wolff
The journalist Michael
Wolff had unprecedented
access to the White House
after Donald Trump
became the president of the
United States of America, and was witness to many private
conversations and meetings between White House staff
as well as members of Trump’s family. In this book, Wolff
reveals shocking stories about chaos and mismanagement in
the Oval Office, particularly the conflict between Trump’s
chief strategist Steve Bannon and senior advisor Jared
Kushner, and tensions among other members of Trump’s
fa m i ly.
hachette, 336 pages, S 699
neW Delhi
love songs
Michael Creighton
This book brings together the work of 16 feminist comic
artists from India and Germany and their views on identity,
power, family, sex, their bodies and various issues that are
taboo in public discourse. The comic form allows these
artists to deploy humour and images—such as Nina Pagalies’
piece on ten temples dedicated to the vagina—to explore
subversive topics.
zubaan, 224 pages, S 850