Hawker Hunter and Lightning II.
Throughout the exhibition, the
style of brushwork, in oils, acrylics,
gouache and other mediums varied
greatly, but many artists were
obviously inspired by the centenary.
A pleasing inclusion was RAF 100
by GAvA President Michael Turner;
the painting was commissioned by
the RAF Museum and was on loan
for the duration of the exhibition.
FlyPast sponsors the £1,000
Fellows Award for Excellence, and
this year the accolade went to Peter
Sumpter for his evocative mixed-
media painting Fishing from a
Pony, depicting crewmen aboard a
Goodyear Pony blimp indulging in a
spot of angling while anchored over
water. Peter also won the Jon Moore
Best Group Award, for his total of
six works entered in the show.
It fell to the medium of watercolour
to secure the Aviation Painting of
the Year title, in the form of Rupert
Cordeux’s A Work in Progress...a
melancholy but beautifully
rendered study of
a scrapped F-4
Phantom II.
My personal
favourites
included
David Young’s
atmospheric
oil When I
Was a Boy
I had a
Dream, portraying a lad with his
model aeroplanes, and China Station
1926 , in which James Robins
painted float-equipped Fairey
Flycatchers taking off alongside an
aircraft carrier.
Another feature of the GAvA show,
but by invitation only, was the
seven specially commissioned
artworks displayed by the
charity Leonard Cheshire
Disability. The
12-plus paintings
all signify moments
in the career of
esteemed World
War Two Bomber
Command pilot and
charity campaigner
September 2018 FLYPAST 93
Canvas WingsCanvas WingsWingsWingsWings
FlyPast editor Chris Clifford reports on this
year’s Guild of Aviation Artists’ exhibition at
the Mall Galleries in London
Below left
Keynote speaker
at this year’s GAvA
exhibition was
former boss of the
Royal Air Force,
Air Chief Marshal
(ret’d) Sir Glenn
Torpy GCB CBE DSO,
who is also the
guild’s patron.
CHRIS FRENCH