problem solving based, that holds me in the process.
It is no doubt similar for any art making process, but
it is the physicality of sculpture that I love, which in
turn has a visceral impact on the viewer. Often these
days it is the sight of a twisted piece of rusty metal
and its calligraphic properties that might trigger a
process; an old weathered fencepost or a sandstone
block and how either of them might complement a
ceramic piece. I am lucky enough to live on a rural
property with a studio overlooking rainforest and
have to acknowledge that this and other Australian
landscapes are inl uential backdrops and inspiration
for me. Essentially it’s the land itself that calls me to
action: a distant horizon, a fallen leaf or the aerial
view from a plane leaving Coolangatta airport.
Although my main focus is on sculpture I am
still engaged in teaching ceramics and sculpture
occasionally and continue to produce tableware
using traditional Asian glazes. After years in the
waiting I will soon have completed my own wood–
i re ceramic kiln, a work of art in its self.
My lessons are still being learnt, everyday!
Certainly my ambitions outstripped my engineering
knowledge in the area of public sculpture. This and
other shortcomings have shown me the need to and
when to ask for help. There is a nexus here about
ambition, curiosity, support, and research all resulting
in expansion and development. I think as artists we
are always challenging ourselves and presenting new
problems to be solved; seeking guidance and support
is a very important part of realising our potentials.
As well as being a teacher, I am forever learning.
Contact details:
Web: http://www.suviramcdonald.com
Ph: 02 6684 9194 ■