Sight&Sound - 11.2019

November 2019 Volume 29 Issue 11 Martin Scorsese | Joaquin Phoenix | Maurice Pialat | Monos | The Goldfinch | The King Sight &am ...

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November 2019 | Sight&Sound | 1 Contents November 2019 20 COVER FEATURE Three and a half hours with Scorsese While the gangl ...

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November 2019 | Sight&Sound | 3 Contents Reviews 73 FILMS OF THE MONTH 52 By the Grace of God 54 The King 56 Non-F ...

FOLLOW US ON /VINTAGECLASSICSFILM TO FIND OUT MORE A COLLECTION OF ICONIC BRITISH FILMS. BRAND NEW RESTORATIONS & BONUS CONT ...

November 2019 | Sight&Sound | 5 Editorial Mike Williams The first issue of Sight & Sound that I remember with any kind o ...

6 | Sight&Sound | November 2019 Rushes NEWS AND VIEWS IT’S SHOWTIME! The musical is the big screen genre that keeps on givin ...

November 2019 | Sight&Sound | 7 Ù Film season: Discover tough female kung-fu legends in HOME Manchester’s ‘The Original Ass ...

8 | Sight&Sound | November 2019 Who is she? The 30-year-old British filmmaker has just premiered her debut feature Saint Mau ...

November 2019 | Sight&Sound | 9 film is set in 1968: Garland, 46, is embarking on a London residency to raise enough money t ...

November 2019 | Sight&Sound | 11 the south-west and the rest of the UK. It achieved a decent debut of £32,200 for the weeken ...

10 | Sight&Sound | November 2019 RUSHES Moss Mabry’s costume designs for Tate’s character Freya in the film 3. Bruce Lee wi ...

12 | Sight&Sound | November 2019 By Nick James Before Venice opened, it looked as if the festival story would be about its l ...

November 2019 | Sight&Sound | 13 NICK JAMES’S TOP FIVE 1 Joker Todd Phillips’s pitch-black Golden Lion-winning supervillain ...

14 | Sight&Sound | November 2019 By Tom Charity In times like these, arts institutions show their true colours whether they ...

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16 | Sight&Sound | November 2019 By Sophia Satchell Baeza A major figure of the American avant garde, Shirley Brimberg Clark ...

November 2019 | Sight&Sound | 17 Beyond using jazz for either soundtrack or subject matter, Clarke’s overall approach to mak ...

18 | Sight&Sound | November 2019 By Bryony Dixon When you are restoring a silent film, you have to watch scenes over and ove ...