Writing Great Fiction
The Balance of Detail and Economy z Stephen King’s ¶6DOHP¶V /RW is one of the best horror novels ever written. Here’s a passag ...
Lecture 2: Building Fictional Worlds through Evocation go on for several paragraphs about the appearance of a character or a pla ...
Telling, Not Showing z 'HVSLWH WKH LPSRUWDQFH RI HYRFDWLRQ LQ ¿FWLRQ LW¶V DOVR VRPHWLPHV acceptable—even preferable— ...
Lecture 2: Building Fictional Worlds through Evocation Try this exercise from John Gardner’s 7KH $UW RI )LFWLRQ: Write a pas ...
How Characters Are Different from People ...................................... Lecture 3 O ne of the curious facts about the em ...
Lecture 3: How Characters Are Different from People representative moments of their lives. We all live through moments of drama ...
o 7R XQGHUVWDQG WKLV LGHD FRQVLGHU WKH ÀHHWLQJ DQG GLJUHVVLYH nature of your own inner life. Then, consider how imposs ...
Lecture 3: How Characters Are Different from People o (YHQWKRXJK\RXUEURWKHUIRUH[DPSOHLVUHDODQGLQ¿QLWHO\ more complex ...
o Published in 1925, 0UV'DOORZD\ is written in a style called VWUHDP RI FRQVFLRXVQHVV. With this technique, the narration ke ...
Lecture 3: How Characters Are Different from People and because 7KH0DOWHVH)DOFRQ is written in the third person, Spade does no ...
Try to rewrite the scene of Mrs. Dalloway walking down Bond Street LQWKH¿UVWSHUVRQVW\OHRI7KHUHDWDWVE\ or, perhaps, in t ...
Lecture 4: Fictional Characters, Imagined and Observed Fictional Characters, Imagined and Observed ............................. ...
The Exterior-Interior Continuum z The exterior-interior continuum relates to creating a character from the outside in versus cr ...
Lecture 4: Fictional Characters, Imagined and Observed some of the best blessings of existence; and had lived nearly twenty-one ...
she grew up in a household where she was considered an outsider, but she knew how to stick up for herself. o The difference betw ...
Lecture 4: Fictional Characters, Imagined and Observed But Brontë has Jane Eyre address readers directly, inviting us to view th ...
z Another tempting generalization is that character-driven narratives, such as 0UV'DOORZD\, rely more on psychology than plot ...
Lecture 4: Fictional Characters, Imagined and Observed intimate, told from inside one consciousness. How you answer that questio ...
Call Me Ishmael—Introducing a Character....................................... Lecture 5 I QRXU¿UVWWZROHFWXUHVDERXWFKDUDFW ...
Lecture 5: Call Me Ishmael—Introducing a Character z Conrad’s introduction is also economical. Rather than lingering over detai ...
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