Writing Great Fiction
on raising a binary expectation in the reader, but it does require the early pages to draw the reader into the narrative, settin ...
Lecture 14: Happily Ever After—How to End a Plot Man Is Hard to Find,” about a southern family that takes a drive to Florida and ...
GLUHFWLRQ%XW\RXPD\DOVR¿QG\RXUVHOIIRUFLQJWKHFKDUDFWHUV in a particular direction whether they want to go there or not, ...
Lecture 14: Happily Ever After—How to End a Plot Choose a story or a novel that you love, imagine a different ending for it, an ...
Seeing through Other Eyes—Point of View ...................................... Lecture 15 A VZH¶YHVHHQWKURXJKRXWWKHVHOHFWXU ...
Lecture 15: Seeing through Other Eyes—Point of View z The most all-inclusive point of view is the omniscient third person. This ...
o The traditional omniscient third person is often more remote from its characters and capable of making sweeping judgments abou ...
Lecture 15: Seeing through Other Eyes—Point of View Finn, and Nabokov’s /ROLWD. In all three, there are at least hints of the na ...
o There are also third-person narrations that presume the reader’s intimacy with the social setting and the worldview of the aut ...
Lecture 15: Seeing through Other Eyes—Point of View Tolstoy’s $QQD.DUHQLQD is told in the past tense, for example, but it was b ...
Choose an opening from one of the books discussed in this lecture, another book you’ve read, or something you’ve written and tr ...
Lecture 16: I, Me, Mine—First-Person Point of View I, Me, Mine—First-Person Point of View ...................................... ...
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Lecture 16: I, Me, Mine—First-Person Point of View $W ¿UVW JODQFH LW PLJKW seem as if Marlowe is just a recording-eye narr ...
this type of narration, there is also an emotional and intellectual distance between the character as a younger person and the c ...
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z Finally, another variation on the unreliable narrator is the narrator who may or may not be unreliable, but whose truthfulnes ...
Lecture 16: I, Me, Mine—First-Person Point of View Try your hand at either the double consciousness that Twain uses in 7KH $GY ...
He, She, It—Third-Person Point of View Lecture 17 A V PHQWLRQHG LQ WKH ODVW OHFWXUH D ¿UVWSHUVRQ QDUUDWLRQ FDQ EH L ...
Lecture 17: He, She, It—Third-Person Point of View you lose that distinctive voice. In contrast, in the close third person, you ...
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