Quilting Arts

(Martin Jones) #1

fi gure 1


fi gure 2


fi gure 4


fi gure 3



  1. Color the drawing with the artist
    crayons of your choice. Start at
    the top and work down so you
    don’t smudge your work.


NOTE: Both lilies are colored with
Caran d’Ache crayons. The right
lily is ‘painted’ with acrylic extender
as described in the painting process
below. (fi gure 1)

Painting process



  1. Pour 1–2 tablespoons of acrylic
    extender in a small container.
    Prepare a pad of 2–3 paper towels
    to wipe off excess acrylic extender
    from the brush. Have a small
    container of water nearby to rinse
    the brushes periodically.

  2. Dip a brush into acrylic extender.
    Tap the brush on the paper towel
    to remove the excess. Brush the
    acrylic extender over the colored
    areas and you will see the colors
    brighten and blend together. Use
    the round brushes for this step;
    the #3 and #4 in the smaller, detail


Tips for success



  • If you have diffi culty seeing
    the line drawing through
    the freezer paper, trace the
    drawing onto the shiny side of
    the freezer paper with a pencil
    (do not use a permanent
    marker for this step or the
    acrylic extender application
    will transfer the black line
    to the back of your image,
    creating a black line around
    the painted areas).

  • To remove the acrylic extender
    from the brush, clean it with
    dishwashing detergent and a
    brush scrubber.


areas and the #5 and #6 in the
larger areas.


  1. Be sure the entire painted
    area becomes ‘adhered’ to the
    freezer paper by the extender—
    continue to brush over the area
    until no bubbles remain between
    the painted area and the freezer
    paper. If the color runs from 1
    area to another, leave a space
    between the damp areas and allow
    them to dry. Then go back and
    paint the adjoining areas or touch
    up the edges.

  2. When the entire image is painted,
    leave it on the freezer paper to dry
    for 3–4 hours.

  3. Peel the dry fabric off of the freezer
    paper. Use the painted (matte) side
    of the fabric as the ‘right’ side. The
    back side will be shiny.

  4. Touch up any areas, if needed, by
    repeating the above process.


Stitch the painted sheer



  1. Pin a piece of the heavyweight
    water-soluble stabilizer to the back
    of the painted sheer. (fi gure 2)

  2. Stitch with free-motion machine
    thread sketching using the same
    synthetic thread in the needle and
    bobbin. (fi gure 3)


NOTE: These examples show just 1
fl ower for illustration purposes.


  1. When the stitching is complete,
    soak the entire piece in warm
    water until the stabilizer is
    dissolved. Air dry. Press. (fi gure 4)


fi 1


fi 2


figure 3


fi

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