Photo Plus - UK (2020-04)

(Antfer) #1

74 http://www.digitalcameraworld.com


PHOTOSTORIES


01


NAME: Patrick van
Vlaenderen
LOCATION: Belgium and France

MISSION: Take a series of
images based around the
themeof black and white

KIT:Canon EOS 6 D, Canon EOS
5D Mark II, Canon EF 2 4- 10 5mm
f/4L IS USM, Samyang 1 4mm
f/2. 8 ED AS IF UMC, Manfrotto
MK 190 XPRO tripod

http://www.patvanvlaenderen.wixsite.
com/fotomaker

PROJECT INFO


02


Back in black (and white)


Patrick set out to shoot a series of landscapes devoid of
colour to concentrate instead on pure tone and composition

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The main reason that I
prefer working with the
monochrome medium is that

the viewer won’t be distracted
by bright colours or objects
that you don’t want them to be


  • the focus goes solely on the
    composition. I also prefer long
    exposures, compared to totally
    pin-sharp images taken with a
    fast shutter speed. A long
    shutter allows me to add
    movement and drama to the
    image – it feels like I’m getting
    more creative. It also gives me
    the chance to show the viewer
    something they can’t see with
    the naked eye. Long exposures
    work fantastically with black
    and white imagery, as they
    have an almost ethereal
    quality to them.
    Based in Belgium, I shoot
    my landscapes all around
    Europe, though these
    examples are from my home
    and my visits to France and
    the Czech Republic.


I captured the sunset image
at the Belgian coast after I was
inspired from a vlog by Gary
Gough on YouTube, where he
exposed the sky and
foreground separately and
merged the two images
together. This is what I did
with the photo, Black Sunset,
to create the different levels
of motion in the water and
the clouds in the sky for an
interesting contrast.
My image Ghost Forest
was from a trip to the Czech
Republic that was challenging
due to the freezing-cold
conditions. To create the
‘ghostly’ blur in the trees I
used a technique called,
‘intentional camera
movement’ (also called ICM),
where I panned upwards as
I took the shot with a slow
shutter speed of 1/20 sec,

I

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