Philosophy of the Performing Arts

12 performance and the classical paradigm Beardsley claims that the movings and posings constitutive of dance are sortally gener ...

the nature of artistic performance 13 general category of “task dances.” The dancers perform a series of ordinary movements that ...

14 performance and the classical paradigm admits of a non-institutional reading – or, at least, of a reading that makes the role ...

the nature of artistic performance 15 presented to the audience in a performance of her piece is not perceptibly different in an ...

16 performance and the classical paradigm It is not merely that artistic performance in dance involves the articulation of a con ...

the nature of artistic performance 17 as “ movings” and “posings” – executed in dialogue with a sequence of sounds. These sounds ...

18 performance and the classical paradigm freely on more general theories about artworks. But what is the relation- ship between ...

the nature of artistic performance 19 actors. This is because certain qualities of those works, relevant to their being apprecia ...

20 performance and the classical paradigm performed arts. Traditionally, the performed arts have been taken to paral- lel, and p ...

the nature of artistic performance 21 See, for example, Beardsley’s essays collected in parts I and IV of Wreen and Callen 1982 ...

22 performance and the classical paradigm artworks by providing information germane to the appreciation of those works – for exa ...

1 Introduction: Berthold and Magda Go to the Symphony Berthold and Magda sit expectantly in their well-appointed seats at the Ro ...

24 performance and the classical paradigm many realizations by different musical ensembles. As Berthold’s enthusiastic appraisal ...

the nature of the performable work 25 as we have seen, it is part of the very concept of a performable work that it can be prope ...

26 performance and the classical paradigm particular things in the world yet not identifiable with them taken either individuall ...

the nature of the performable work 27 enable us to grasp those qualities. We may talk here of an entity playing “the experientia ...

28 performance and the classical paradigm conventions in place. These conventions require that other work-instances conform to t ...

the nature of the performable work 29 ing one of the questions about performable works raised above. We asked how we could expla ...

30 performance and the classical paradigm than it actually has. For the identity and nature of a type does not change as the num ...

the nature of the performable work 31 grizzlies. We don’t think that a creature that is incapable of growling cannot count as a ...