Philosophy of the Performing Arts

32 performance and the classical paradigm we will have different performable works just in case we have different prescriptions ...

the nature of the performable work 33 instruments or kinds of instruments, even if this is not made explicit in their scores (se ...

34 performance and the classical paradigm Instrumentalists maintain that, where different instruments are prescribed for produci ...

the nature of the performable work 35 particular inscription of the score than it is with a particular performance that conforms ...

36 performance and the classical paradigm novo the performable works we ascribe to them, but for the creativity they display in ...

the nature of the performable work 37 if, in the hypothetical cases, there is a difference between the appreciable properties of ...

38 performance and the classical paradigm 5 Other Theories of the Performable Work Rather than pursue these matters further, we ...

the nature of the performable work 39 in virtue of the possibilities for generating sequences of sounds in various ways. As such ...

40 performance and the classical paradigm ET2 , the “initiated type” with which it is associated) will exist eternally if at all ...

the nature of the performable work 41 embodiments, and it goes out of existence when no such embodiment exists. The existence of ...

42 performance and the classical paradigm needs to be explained how something that is a “fusion” of temporal parts could have ha ...

the nature of the performable work 43 that does not rest upon contestable claims about the modal and temporal flexibility of wor ...

44 performance and the classical paradigm correct performances of particular performable works is answered if we can explain how ...

the nature of the performable work 45 somehow embodied in lower order particulars, and finally to the idea that performable work ...

46 performance and the classical paradigm The fictionalist may be making a descriptive claim about D as we actually use it, or a ...

the nature of the performable work 47 to be one way rather than another, but the causal mechanisms in question are not clear. Se ...

48 performance and the classical paradigm Some writers have resisted this distinction, holding that, even in the case of painti ...

the nature of the performable work 49 must say that there is only a single work here, since both the HS and its doppelganger pre ...

50 performance and the classical paradigm B in context C and standing in an appropriate intentional-historical relation to that ...

1 Introduction: Talking Appreciatively about Performable Works In the notes that accompany the CD of Sibelius’s complete symphon ...