Encyclopedia of African American History
204 Culture, Identity, and Community: From Slavery to the Present baskets to carry goods in a style reminiscent of African ped ...
Herskovits, Melville 205 Acadian or Cajun gumbos are arguably the more rustic of the two schools of cookery. Cajuns, the desce ...
206 Culture, Identity, and Community: From Slavery to the Present Ghana, and Brazil to conduct ethnographic studies of Af- ric ...
High John the Conqueror Root 207 southeastern United States, may originally have served as John the Conqueror. Present-day spi ...
208 Culture, Identity, and Community: From Slavery to the Present blacks to represent what whites called Voodoo. Both “hoo- do ...
Hurston, Zora Neale 209 Alabama, and Lucy Ann Potts, a schoolteacher. Hurston’s writing was heavily infl uenced by her histori ...
210 Culture, Identity, and Community: From Slavery to the Present 1931, Hurston’s relationship with Sheen ended in early Her ...
Hurston, Zora Neale 211 bought the manuscript and paid Hurston a $200 advance. Th is book marked a breakthrough for Hurston, a ...
212 Culture, Identity, and Community: From Slavery to the Present 221–41. Carbondale: Southern Illinois University Press, 2004 ...
Jambalaya 213 made signifi cant contributions to abortions and other ways for a pregnant woman to conceal or terminate her pre ...
214 Culture, Identity, and Community: From Slavery to the Present Harris, Jessica. “Same Boat, Diff erent Stops: An African At ...
Jazz 215 Th e origin of the word “jazz” is as conjectural and confl ict- ing as its birthplace. Although some theories suggest ...
216 Culture, Identity, and Community: From Slavery to the Present Clarke, Max Roach, and Charles Mingus; but it was Charlie Pa ...
Jazz 217 Coltrane and Ornette Coleman, Amiri Baraka’s poems per- haps would be the closest verbal translation of jazz music. M ...
218 Culture, Identity, and Community: From Slavery to the Present catch John in a lie. Th e next day aft er breakfast, the tra ...
Joplin, Scott 219 Joplin’s ragtime music was heavily syncopated and com- plex, quite contrary to prevailing musical compositio ...
220 Culture, Identity, and Community: From Slavery to the Present Juba was a multidimensional concept involving a dance, a typ ...
Kwanzaa 221 when reading the soul of a person or in rituals that in- voked the dead. Th e various purposes of the Kongo cross ...
222 Culture, Identity, and Community: From Slavery to the Present Nia (purpose): As the fi ft h principle of Kwanzaa, Nia is a ...
Laveau, Marie 223 Laveau[x], is sometimes listed as white—even though he was much more likely of mixed race. Some accounts in- ...
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