Encyclopedia of African American History
124 Atlantic African, American, and European Backgrounds to Contact, Commerce, and Enslavement In the 20th century, Woolman’s ...
125 Culture, Identity, and Community: From Slavery to the Present F rom the early 17th century to the mid-19th century, more tha ...
126 Culture, Identity, and Community: From Slavery to the Present Herskovits took full aim at the myth that African Ameri- can ...
Culture, Identity, and Community: From Slavery to the Present 127 Holloway support ideas of cultural homogeneity. Holloway ass ...
128 Culture, Identity, and Community: From Slavery to the Present Littlefi eld notes, European planters developed a number of ...
Culture, Identity, and Community: From Slavery to the Present 129 By combining “drumming,” singing, and elaborate and competit ...
130 Culture, Identity, and Community: From Slavery to the Present Hoodoo complex is a syncretic blend of Fon, Yoruba, and West ...
Culture, Identity, and Community: From Slavery to the Present 131 and the jazz scat). Combined, these examples point to a rich ...
132 Culture, Identity, and Community: From Slavery to the Present became black in the colonial era, economic advantage was giv ...
Anansi the Spider 133 Horsman, Reginald. Race and Manifest Destiny: Th e Origins of American Racial Anglo-Saxonism. Cambridge, ...
134 Culture, Identity, and Community: From Slavery to the Present in Brazil, and Voodoo in New Orleans and other parts of Loui ...
Anderson, Marian 135 For the balance of her career, Anderson was a prominent fi gure performing around the world and represent ...
136 Culture, Identity, and Community: From Slavery to the Present Angola. Slave traders during the 1500s fi rst used the name ...
Animal Trickster Stories 137 Th e animal trickster tale is the most famous type of folk tale. In the African American traditio ...
138 Culture, Identity, and Community: From Slavery to the Present Aft er a few years with his grandmother, a time that he reme ...
Armstrong, Louis 139 harmonies and purposeful elitism of bop musicians, who in turn denounced his stage show and movie appeara ...
140 Culture, Identity, and Community: From Slavery to the Present Eisenhower “two-faced,” with “no guts,” and proclaimed that ...
Bailey, Pearl 141 Th eatre in New York and continued to secure singing and dancing parts in productions around the Philadelphi ...
142 Culture, Identity, and Community: From Slavery to the Present White and played regularly for silent fi lms at the Eblon Th ...
Bebop 143 Gioia, Ted. Th e History of Jazz. New York: Oxford University Press, 1997. Shipton, Alyn. A New History of Jazz. Lon ...
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