Music Fundamentals A Balanced Approach

WORKBOOK: MODULE 5 NAME: Exercise 5.5 Complete the melodies, using the motive and time signature provided. Compose two phrases, ...

WORKBOOK: MODULE 4 NAME: Exercise 4.8 On the keyboard, write the letter name of the notes drawn below. Draw an arrow connecting ...

WORKBOOK: MODULE 5 Title: __ Using any of the pitches of the pentatonic scale provided below, complete the melody; end on a C. ...

WORKBOOK: MODULE 4 Exercise 4.9 To the right of each given note, draw an enharmonic equivalent pitch. Exercise 4.10 Write the le ...

WORKBOOK: MODULE 5 NAME: Title: __ Using any of the pitches drawn below, complete the melody. Incorporate syncopated rhythms e ...

111 Subdividing the Quarter Note In the musical example below, eighth notes and sixteenth notes are beamed together to form unit ...

WORKBOOK: MODULE 5 Create your own motive and compose a melody. Draw the clef at the beginning of each line; in the first line, ...

When combining note values smaller than a quarter note, each beat is indicated by a new beam. Use beams connecting values small ...

WORKBOOK: MODULE 5 NAME: Exercise 5.6—Class Exercise Rhythmic Dictation Various combinations of the following rhythms will be pl ...

Pattern 3 Pattern 4 Pattern 5 Pattern 6 Exercise 2—Class Exercise The musical examples below use the six patterns of Exercise 1. ...

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“Non piu andrai” (“From now on”) from The Marriage of Figaro(W.A. Mozart) In this comic opera, Count Almaviva’s personal valet ...

BASICS OF PITCH 141 What Is a Major Scale? The major scale (from scala, Italian for “ladder”) developed from the modal system of ...

Polonaisefrom French Suite, BWV 817 (originally in E) (J.S. Bach) beats^1 ⁄ 4 1 ⁄ 41 ⁄ 2 1 1 Count: 1 e + 2 3 Count: Exercise ...

Elements of the major scale: Has eight diatonic notes (adjacent letter names) Spans one octave, beginning and ending with the s ...

“Weggis Zue” (Swiss Hiking Song) (J. Luthi) Exercise 4—Two-Hand Exercises To set the tempo, count out loud for one measure be ...

Exercise 1 Draw a tetrachord from the given note using accidentals as needed. Place an Xon the corresponding keys below. Example ...

When the weaker beats (2 and 4) are emphasized, this is called syncopation. Clap and count the rhythm below, feeling the “missin ...

6. 7. To construct a major scale, join together two tetrachords with a whole step connecting them. The resulting major scale pat ...

The second and fourth sixteenth notes of a group of four sixteenths may be accented: Exercise 6—Class Exercise Count and clap ...