Music Fundamentals A Balanced Approach

Exercise 3 Add the missing bar lines according to the time signatures given at the beginning of each rhythm. Write the number of ...

All pitches are a half step apart. When notating an ascending chromatic scale, sharps are usually used to identify black keys. ...

Track 43 Track 44 Track 45 TRACKS 42–45 Each of the exercises above will be played twice without pause, at a slow tempo. Liste ...

TRACKS 53–54 Track 53 Ascending chromatic scale; Track 54 Descending chromatic scale. The ascending and descend- ing chromatic s ...

Exercise 5 Sing “Happy Birthday to You” (M. J. Hill, P.S. Hill) In the second line, sustain the note with the fermata written a ...

Track 57—Sing the descending chromatic scale. Use the second line as a pronunciation guide. Track 58—Sing the blues. Track 59—S ...

“Oh, Susanna” (S. Foster) Exercise 6 The following examples begin with anacrusis measures. Write the note value above each note ...

Diatonic whole stepsconsist of two half steps with adjacent letter names. For example, the whole step shown below can be written ...

“There’s No Business Like Show Business” (I. Berlin) How many total counts do the tied notes receive? ___ of beats: Count: of ...

Theory Trainer Exercise 4c Draw half steps and whole steps above or below a given note. Exercise 11—Class Exercise Label the bra ...

Rests may be dotted, but they may not be tied. For example, a complete measure of silence in 3/4 may be written as a dotted half ...

“Dark Eyes,” Russian folk melody “Hava Nagila,” Hebrew folk song 100 MODULE 4 Vocabulary note NAME THESE SIGNS. WHAT DO THEY T ...

In the next example, the whole rest instructs you to be silent for the entire measure, which is three beats. Track 48 – The ha ...

Double Sharp, Double Flat 101 ACCIDENTALS Workbook Exercises 4.5–4.7 Vocabulary note ACCIDENTALS There are five accidentals: sha ...

Exercise 9 Draw onerest that is equivalent to the given notes; draw a second option where indicated. Example: 1. 2. 3. 4. 5. Exe ...

Theory Trainer Exercise 4aFind white/black keys on the staff using double accidentals. Exercise 4bFind white/black keys on the k ...

Quintet in C, K.515 (First Movement) (W.A. Mozart) Prelude No. 1 in C, BWV 933 (J.S. Bach) “Ah! vous dirai-je, Maman,” Variatio ...

Exercise 12—Class Exercise Étude, Op. 25, No. 7 (F. Chopin) Write the names of underscored notes. Circle the 13 notes that are p ...

Theory Trainer Exercise 3aSimple rhythm tapping with rests. Exercise 3bSimple rhythm tapping with two hands. Exercise 3c Listeni ...

Theory Trainer Exercise 4c Draw half steps and whole steps using double accidentals. 104 MODULE 4 Workbook Exercises 4.8–4.10 mu ...