Music Fundamentals A Balanced Approach

blues. These forms divide into sections, each of which will each be given identifying letter names like “A” and “B.” Binary Form ...

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Notice that: The Minuet has double bars and repeat signs that separate the two sections. The A section begins in C major and mo ...

TRACK 1 Ascending Pitches by Steps, played by Ryan Dorin TRACK 2 Oh When the Saints, played by Sumy Takesue TRACK 3 Aloha Oe (Qu ...

32-Bar Form (AABA) The 32-bar form,so-called because of the number of measures (bars) in the song, is an AABA pattern. It is one ...

TRACK 39 Toryanse, Japanese folk song TRACK 40 Menuet in GM (J.S. Bach) TRACK 41 Lady Sant’Ana, Mexican-American folk song TRACK ...

Exercise 10—Class Exercise Sing “Over the Rainbow” by Harold Arlen. “Over the Rainbow” (H. Arlen) Notice that: Each section is ...

TRACK 91 Matilda, Matilda by Norman Span TRACK 92 Tico, Tico No Fuba (Abreu, Oliveira, Drake) TRACK 93 Folk Song (with open tria ...

The repetition of the lyrics and the melodic line contributes to the division of the song into the sections A A BA. Consider ho ...

12-bar blues 403 – 404 , 419 32-bar form (AABA) 401 – 403 , 419 accents 49 , 191 , 419 accidentals courtesy 179 definition of 41 ...

“St. Louis Blues” (W. Handy) Repeat Signs Exercise 12—Class Exercise Sing the following songs, observing the repeat signs. “O T ...

D.C. al Fine (Da Capo al Fine) 407 deceptive cadences 397 , 420 decibels 426 decrescendo 420 descending intervals 275 diatonic 4 ...

“Ma Gazelle,” Algerian folk song Exercise 13—Class Exercise Listen to “Pastorale” by J. Burgmüller; repeat the measures betwee ...

definition of 421 determining 229 – 230 flat 172 – 173 major scale 165 – 181 , 216 minor scale 215 – 216 parallel 221 sharp 167 ...

“Pastorale,” Op. 100, No. 3 (J. Burgmüller) First Ending, Second Ending Exercise 14—Class Exercise TRACK 108 Listening: "To a Wi ...

figured bass symbols 354 – 355 and harmonization 333 , 336 , 354 – 355 for major triads 327 – 328 for minor triads 328 , 334 – 3 ...

“To a Wild Rose” (E. MacDowell) Da Capo al Fine Exercise 15—Class Exercise TRACK 109 Listening: “Amor, Amor, Amor” (G. Ruiz) Lis ...

“Amor, Amor, Amor” (G. Ruiz) Dal Segno al Fine Exercise 16—Class Exercise TRACK 110 Listening: “Qing Hai Ming Ge,” Chinese folk ...

Coda FORM IN MUSIC 409 Coda An Italian word meaning “tail”; an “extended ending,” a section at the end of a piece. D.C. al CodaP ...

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