Music from the Earliest Notations to the Sixteenth Century

double entendre, 750 –51

double leading-tone cadence, 276 –77, 368 , 408 –9

double motet, 210 –13, 212 , 214 , 215 , 222 –24, 222 , 229 , 317

double notation, 60 , 210

double point, 687

doubling-voice (vox organalis), 150 , 577

fauxbordon  and,     435 –39

Douce dame jolie (Machaut), 295 , 298

dove of the Holy Spirit, 175

Dover priory, 408

Dowland, John, 742 –45

Can shee    excuse  my  wrongs,  745

Flow    My  Tears,   742 ,   743

“Lachrymae  Pavan,  The,”    742 ,   744 –45

doxology, 11 , 12 , 21 , 22 , 23 , 50 , 54

Draco (constellation), 476 , 476

dragmas, 341 , 355

Dragon’s Head, 476 , 476

drama,

liturgical,  52 ,    93 –94,     131 ,   138 ,   495 –96,    834

“dramatick opera,” dramma giocoso. See opera buffa

drinking songs, 138

ducal motets, 519 –26

Ducis, Benedictus, 769

Läammlein   geht    und träagt  die Schuld,  769 ,   770 –71

Duèse, Jacques. See John XXII, Pope

Du Fay, Guillaume, 148 , 281 –85, 423 , 439 , 439 , 441 –46, 453 , 473 , 529 , 536 , 563 , 667

antiphon    motet   and,     507 –12

career  of,  281 –82,    445 ,   458 ,   558

chanson and,     498 ,   706

Constantinopolitan  laments of,  484

fauxbourdon and,     436 ,   437 ,   441 ,   442 –43,    446

musical significance    of,  281 ,   429 ,   441 –43,    495 ,   498 –99

works   of

Ave maris   stella,  441 ,   442 –43,    446

Ave Regina  coelorum,    507 –12,    574

Craindre    vous    vueil,   444 –46,    510

Hélas   mon deuil,  a   ce  coup    sui je  mort,    512