Music from the Earliest Notations to the Sixteenth Century

Ghiselin, Johannes (Verbonnet) Alfonsina, La, 544 , 545

Giacobbi, Girolamo, 781

Gilles de Bins. See Binchois, Gilles

Giotto di Bondone, 382 –83, 382

Giovanni de’ Bardi. See Bardi, Giovanni de’

Giovanni de Cascia, 352 , 352 , 353 , 353

Appress’    un  fiume,   356 –59,    363 ,   364

Giraldus Cambrensis (Gerald de Barri), 147 , 262 , 392 , 402 , 403 , 410 , 425 , 427 , 438

Giustiniani, Leonardo (Giustinian), 697

Glareanus, Henricus (Heinrich Loris), 481 , 549 , 553 –56, 554 , 558 , 559 , 563 , 572 , 574 , 600

on  Mouton,  589

music   theory  and,     553 –56,    581 ,   587 ,   592 ,   799

glee clubs, 746 , 750

Glogauer Liederbuch, 539 , 540 , 541 , 542 –43, 544

Gloria, 53 , 58 , 310

Caput   Mass    and,     470 ,   475 ,   481 –83,    493

Credo   pairing with,    311 ,   312 ,   313 ,   345 –49,    461

French-Cypriot  setting of,  345 –49

Great   Schism  and,     348

by  Hucbald in  mode    six,     80 –82

Machaut La  messe   de  Notre   Dame    and,     320 –21,    325 –26

in  Mass    ordo,    61

Missa   L’Homme Armé    and,     487 ,   490 –92

Nicolaus    de  Radom   setting of,  348

Palestrina  Missa   O   magnum  mysterium   and,     645

Palestrina  Missa   Papae   Marcelli    and,     655

Power   setting of,  413 ,   416 ,   463 ,   464

Pycard  setting of,  409 –11,    413 –15,    433

“Roy    Henry”  setting of,  417 –18

text    and settings    of,  54 ,    55 ,    311

tropes,  55 –56

votive  Mass    and,     316 ,   317 ,   318

Gloucester, Duke of, 421

G-major dominant chord, 627

Goethe, Johann Wolfgang von, 141

Golden Fleece. See Order of the Golden Fleece,

goliards, 138 , 139