Music from the Earliest Notations to the Sixteenth Century

ancient music   theory  and,     799 –800

Byrd    and,     679

classicism  and,     615 ,   717 ,   720 ,   730 ,   780

Clemens and,     593 –94

English church  music   as  untouched   by,  613

extroversive    semiotics   and,     643

Josquin and,     547 ,   551 –54,    566 ,   570 ,   572 ,   578 –79,    581 ,   584 ,   687

Lasso   and,     720

literary    music   and,     723 ,   724 ,   725

occultism   and,     615 –16

Palestrina  and,     641 ,   642 ,   647

Parisian    chanson and,     708

printing    industry    and,     754

Protestant  Reformation and,     753

humor, musical. See joke, musical

humorous drama. See opera buffa

humors, theory of, 71

Humphrey, Duke of Gloucester, 421

Hundred Years War, 408 , 421 , 422

hunt,

as  caccia  subject,     364 ,   365

onomatopoetic   sounds  of,  711

hurdy-gurdy, 805

Hurrian cult song, 31 , 32

Hus, Jan, 753

hymns and hymnody,

Ambrosian   stanza,  49

Augustine   definition  of,  11

Babylonian,  31

Byrd    and,     686

Byzantine   church  and,     33 –34,     48

Christmas   carols  as,  420

Delphic,     32

by  Du  Fay,     444 –46

early   Greek   Christian,   33

English,     439 –40,    673 –74

Frankish,    41 –43,     47 –49,     50 –86