After the Avant-Gardes
then why are you still in a church?” In order to be anti-aesthetic and anti- bourgeois, must one also be pro-narcissistic by def ...
In the remaining loose change of isms (Op Art, Minimal Art, Photorealism, and so forth), the definitional boundaries become more ...
...
Introduction The Culture of Hope: A New Birth of the Classical Spirit (New York: The Free Press, 1995), 1. Ibid., 3. Ibid., 267 ...
Odd Nerdrum et. al., On Kitsch, Oslo: Kagge Forlag, 2001, 8. The name of the translator is not given anywhere in the volume. I ...
concludes that Nerdrum “is completely independent, both financially and symboli- cally” (36). For a perceptive discussion of mo ...
Hansen, Nerdrum, 22–23. Hansen, Nerdrum, 23. See Vine, Nerdrum, 40. Hansen, Nerdrum, 22. Hansen, Nerdrum, 23. Vine, Nerdrum, 94 ...
Is it significant that in Nerdrum’s early paintings, the only gun to appear is in the hands of a representative of the state? I ...
Mimesis versus the Avant-Garde: Art and Cognition An earlier version of this essay was published online as “Art and Cognition: ...
Arthur Efland, Art and Cognition: Integrating the Visual Arts in the Curriculum, New York: Teachers College Press, 2002—on whic ...
same volume, in which he accurately states: “The most influential part of Kant’s theory of aesthetic value concerns the notion o ...
tecture from the ancient grouping of mimetic arts and from the first formal classifica- tion of the “fine arts,” see What Art Is ...
epistemological assumptions (which bear heavily on her theory of art), see Robert L. Campbell, “Ayn Rand and the Cognitive Revol ...
nature of music is also discussed in chapter 5, “Music and Cognition,” in Torres and Kamhi, What Art Is. For further considerat ...
visible world is the melancholy act of contemplating eternity by making passing images durable. Cf. P. Kivy, Music Alone, Ithac ...
even accuses Fichte of being too egocentric and solipsistic. That there is perhaps a real difference between Fichte and Schellin ...
This reconstruction deserves some elaboration. Poems and songs are paradigm cases of subjective expression. But Schelling’s cla ...
One might, by the way, regard this as a quite peculiar version of a l’art pour l’arttheory of art. For a defense of this idea o ...
Ibid., 139. As Danto tells us, “This happens once art raises the question of ‘why one pair of look-alikes was art and the other ...
Lorand uses this to refer to beauty and not to aesthetic experience in general. See Ruth Lorand, Aesthetic Order, Oxford: Routl ...
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