Adobe Premiere Pro CC Classroom in a Book (2019 Release), First Edition

You can reset the Lumetri Color panel at any time by clicking the Reset Effect button at the upper-right corner of the panel. YU ...

If you look closely at the vectorscope, you’ll see a series of targets indicating primary colors. R = Red G = Green B = Blue The ...

display, which indicates the horizontal position of each pixel, no position information is indicated in the vectorscope. It’s cl ...

The pixels displayed in the vectorscope move between the green and magenta areas of the display. 6. Reset the Tint slider by dou ...

You can choose which kind of parade you see by clicking the Lumetri Scopes Settings menu or by right-clicking in the Lumetri Sco ...

You can toggle between the regular playback view and Comparison View in the Program Monitor at any time. Let’s take a look at th ...

2. In the Lumetri Color panel, open the Color Wheels & Match section, and click the Comparison View button; or click the Com ...

3. These are clips from different scenes in the same film. They don’t need to have exactly the same colors, but it would be help ...

The following are a few effects you may want to try first. Tip You can always find an effect using the search box at the top of ...

Black-and-white images can often withstand much stronger contrast. Consider combining effects for the best results. Leave Color ...

it as an export setting (see Lesson 16, “Exporting Frames, Clips, and Sequences”). Then it’s simply a question of choosing the C ...

You can modify the settings in the Effect Controls panel or in the Lumetri Color panel. Fixing exposure problems Let’s look at s ...

waveform display to make sure the image doesn’t become too dark or too light. You’ll get the best perceived results if you have ...

Use the Brightness control in the Effect Controls panel to increase the brightness. Rather than clicking the number and typing ...

8. Switch back to the Color workspace. Try to make an adjustment using the RGB Curves control in the Lumetri Color panel. Here’s ...

range. This approach might produce acceptable results, although the clip definitely ends up looking processed. When is color cor ...

The Tone controls change to reflect the new levels. Premiere Pro has identified the darkest pixels and the brightest pixels and ...

The result is pretty good, but perhaps it could be better. The darker pixels in this shot are generally lit by the interior, war ...

Let’s try it. 1. Open the sequence Yellow Flower and position the Timeline playhead over the first clip. This sequence has two s ...

H: Hue S: Saturation L: Luminance The upper triangles represent the hard-stop range of the selection. The lower triangles extend ...