Sketch Book for the Artist

Losbruch (The Outbreak) 1955 20 x 233 / 8 in (507 x 592 mm) KATHE KOLLWITZ Scratched lines This is a dry-point etching with mono ...

GATHERINGS Disposable Pens 182 Compositions DISPOSABLE PENS (ballpoints, fiber- tips, rollerballs, gel pens) are the most conven ...

FROM MEMORY Here I used the same fiber-tip pen to compose a scene from memory. Earlier I had witnessed a crowd of fellow travele ...

GATHERINGS The Travel Journal I CANNOT OVERSTATE THE JOY of making a travel journal. caricature and this will draw out of your m ...

Observation A large lady is photographed in front of a delicate work of art. In turn, I am watched by the aggravated guard, eage ...

GATHERINGS Catching the Moment 186 Collage On A BITTERLY COLD November day, I took refuge in a church in Venice, and there met t ...

The custodian Identify your principal character and their psychological role in the scene. Decide where you will place them on t ...

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THE CANALS OF VENICE are bustling places full of occupation, where vertical mooring poles give space and pulse to the horizontal ...

Crossings DURING THIS RUSH HOUR, Venetians flow across a stepped bridge and cascade into the streets beyond. Characters in the f ...

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Caravans THE PARAPHERNALIA OF TRAVEL is an intriguing part of circus life, and a great subject to draw. Caravans and other backs ...

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Earth and the Elements JOHN RUSSELL A portrait pastelist to King George III of England, and an astronomer who dedicated 20 years ...

EARTH AND the Elements Air in Motion THE GREAT INVISIBLE SUBJECT of these drawings is the wind. By seeing how it shakes, lifts, ...

J. M. W. TURNER British landscape, seascape, and history painter whose primary interest above all was light. Turner worked in oi ...

EARTH AND THE ELEMENTS Storms STORMS CAN BE SEEN and drawn in two ways: first, as a subject and second, as a gestural storm on t ...