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 hugh haughton British nation’.^85 Thedrawback of his miscellaneous scatter-gun approach is that it confuses literary and mil ...

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 simonfeatherstone sacrifice of the masculine body during the early years of the First World War, and latterlyupon sceptical ...

women’s poetry of the two world wars  provided ample evidence of women’s poetic activity during the wars, but response tothat ...

 simonfeatherstone Lifting belly together. Doyou like that there.^4 A conversation about emotional and physical satisfaction ...

women’s poetry of the two world wars  other. But Stein’s provocative questioning oftheexigencies of response in times of poli ...

 simonfeatherstone Futurism all right, but the concomitant nationalism and militarism that were inevitablein the Italian’s wo ...

women’s poetry of the two world wars  The first section of the first lyric confronts the reader with the uncompromising poeti ...

 simonfeatherstone the humid carnage’, to float free, grammatically unanchored and tonally ambiguous. ‘[C]arnage’seems to hol ...

women’s poetry of the two world wars  entirely to the growth of invasion’,^18 andher poem ‘Parturition’ (1914) is a startling ...

 simonfeatherstone This Futurist evocation of the percussive body animated by sex, by argument, by violence(by war?) is follo ...

women’s poetry of the two world wars  of birth pains, Loy comments, ‘I should have been emptied of life’.^25 Inthe later poem ...

 simonfeatherstone of the process of procreation that has haunted the affair (‘Proto-plasm was raving mad|Evolvingus’),^27 an ...

women’s poetry of the two world wars  rapture that characterizes Scovell’s work, evoking the flower as it ‘draws to itself th ...

 simonfeatherstone But space in that shadow world lengthens, its creatures Fallback and distance takes their features; The sh ...

women’s poetry of the two world wars  though, is a question of the nature of the relationship between the ‘imaginary world’an ...

 simonfeatherstone meditation upon it. Scovell’s solution is to assert the domestic and the local as central tothat engagemen ...

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 edna longley of modern elegy, his ‘narrative of generic dislocation [has] a subplot of generic perpetuation’.^3 Asreflexive ...

war pastorals  Perhaps the most complex war pastorals work by antinomy rather than ‘anti- thesis’—which merely reverses Brook ...