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‘down in the terraces between the targets’ Aeroplane and Zeppelin will come out, Pitchlike King Billy bomb-balls in Until th ...
peter robinson the mother, murdered at her door,|Tocrawl in her own blood, and go scot-free’.^6 Not much tragic joy for the ...
‘downintheterracesbetweenthetargets’ recognize complaints about the plight of civilians as anything other than treason. The‘ ...
peter robinson to take aim. Empson’s method is to declare the fact in flatly prosaic rhymes and thenpass on. It is as if the ...
‘down in the terraces between the targets’ ‘strategic bomber’.^16 Asthe dangers for the combatants delivering the weaponry h ...
peter robinson our recalling the flimsy planes in which the pilots, without parachutes to encourage pluck(though parachutes ...
‘down in the terraces between the targets’ verse, both of them dead bomber crew, but does not name any killed on the ground: ...
peter robinson It is worth noting, in this light, the degree to which the modes of war poetry are shapedby perceptions of a ...
‘down in the terraces between the targets’ focal centre of the creative outcry against this act are Picasso’s weeping women. ...
peter robinson despair of the light because it is too complete and you are revealed to the enemy raiders’. ThatGuernica was ...
‘down in the terraces between the targets’ war poetry terms, is troublingly ‘meaningless’. There does not seem to be anyone ...
peter robinson horn’ call up a memory of, say, Browning’s ‘Childe Roland to the Dark Tower Came’ and,simultaneously, an air ...
‘down in the terraces between the targets’ consolation’.^54 Onlythrough the possible implications of the words ‘smoke’ and ‘ ...
peter robinson not to have been completed until 1945—and so may have been prompted by the V-bombraids during the last year o ...
‘down in the terraces between the targets’ such civilian experiences of war in another of Nicholson’s poems from his 1944 co ...
peter robinson beingpubliclyacknowledgedcanbeambiguouslyblurredintheappropriation.Does thememorialization of military sacrif ...
‘down in the terraces between the targets’ These were marginal people I had met only rarely Andthe end of the whole househol ...
peter robinson The poet deftly brings together the two sides of this theatre where both are players, butplayers with little ...
‘down in the terraces between the targets’ ‘Alas, alas, who’s injured by my love?’ Andrecent history answers: Half Japan! No ...
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