Drawing lessons - illustrated lesson notes for teachers and students

Inspiration OK, so now I have combined all the elements including a few others hidden in various places Plus a monkey and an duc ...

Inspiration have specualted as to the relationship between the two principal players!) I toyed with 'Dr Livingstone decides to s ...

Painting glow and light 6-10 PAINTING GLOW AND LIGHT Glow is essentially a factor of value rather than color. How is this achiev ...

Painting glow and light What discomforts the eye in painting is similar to what discomforts the ear in music. Music is a 'transi ...

Painting glow and light GO TO ... Pearly luminosity Lesson Menu http://www.geocities.com/~jlhagan/lessons/glow_and_light.htm (3 ...

Painting a pearly luminosity 6-11 PEARLY LUMINOSITY There are two factors to consider here if your aim is to achieve that lumino ...

Painting a pearly luminosity This painting by Monet is an excellent example of an artist employing equivalent value hues, dramat ...

Painting a pearly luminosity GO TO ... painting portraits ............or back to main lesson list http://www.geocities.com/~jlha ...

How to paint portraits - some practical advice. 6-12 PRACTICAL PORTRAITURE A PAGE OF THEORY BEFORE THE PRACTICE Painting a portr ...

How to paint portraits - some practical advice. Physical likeness - for me this is probably the most enjoyable - if you follow s ...

How to paint portraits - some practical advice. Note how, in creating substance, Leonardo does not define many edges - neither o ...

How to paint portraits - some practical advice. and security while the others' sent him mad. Who would say one was a better arti ...

Painting hair. 7-1 PRACTICAL APPLICATION - PAINTING HAIR Subject: Driving me hairy John, Was writing the other day about women's ...

Painting hair. This problem goes to the heart of painting and is better discussed with reference to the lesson called 'The Pearl ...

Painting hair. Next I create a background echoing all the colors in the face and the darks in the hair. Now you can see the prob ...

Painting hair. Explanation: the human mind does not like to be overloaded with too much detail, particularly in painting. It rev ...

Art lessons - learn about skin-coloring in portrait painting 7-2 SKIN COLORS OR FLESH TONES I wrote this lesson in response to a ...

Art lessons - learn about skin-coloring in portrait painting colored - but we know they both have the same flesh; the same muscl ...

Art lessons - learn about skin-coloring in portrait painting The blue of the bruise should not be so powerful as to denote the b ...

Art lessons - learn about skin-coloring in portrait painting Above is an example of my deliberate abandonment of any warm flesh ...