Drawing lessons - illustrated lesson notes for teachers and students

The Oil Painter's Bible - chapter 6 very lean paints like Flake White. The objective is to keep the underpainting leaner than th ...

The Oil Painter's Bible - chapter 6 pains must then be taken to nonetheless make it appear as if it were done alla prima. The Ol ...

The Oil Painter's Bible - chapter 6 warm tonality, in which context greys made with Ivory Black and white appear to be blue. Gre ...

The Oil Painter's Bible - chapter 6 examples of his work show that he was not limited to any one of them, but employed them all, ...

The Oil Painter's Bible - chapter 6 against one another for maximum visual impact and depth. Clues as to his choice of primer ma ...

The Oil Painter's Bible - chapter 6 to paint the clothing, the folds remaining undisturbed for days, or weeks, if necessary. A l ...

kissing practice, a painting KISSING PRACTICE - A DEMONSTRATION PAINTING - PART 2 'Realism' In Fig.5 I have brought some of the ...

kissing practice, a painting Fig. 7 Detail of lower torsos. Fig. 8 Thumbnail of full composition. Now we get to the technical re ...

kissing practice, a painting How is this done with paint? GO TO .... kissing practice No3 Advanced lesson menu http://www.geocit ...

kissing practice, a painting KISSING PRACTICE - A DEMONSTRATION PAINTING - PART 3 'A certain realism' Now for some technical inf ...

kissing practice, a painting The middle distance is best kept indistinct, yet atmospheric, while the foreground should not detra ...

Wall presence - brush strokes lesson by William Whitaker 4-2 PAINTERLY 2 William Whitaker writes: 'Like everybody else whose wor ...

Wall presence - brush strokes lesson by William Whitaker There seem to be a great many folks who are doing high finish (they cal ...

Wall presence - brush strokes lesson by William Whitaker All Paintings on this page are by William Whitaker STUDENT ACTIVITY:Wri ...

The painterly effect a lesson by Virgil Elliott 4-1 THE PAINTERLY EFFECT In these lessons I do not hesitate to assert that art i ...

The painterly effect a lesson by Virgil Elliott The 'painterly' style became more popular with John Singer Sargent, Anders Zorn, ...

The painterly effect a lesson by Virgil Elliott Gerome (below) insisted on a perfectly smooth surface to the painting, and forba ...

Grapes, cherrys and the eyeball 3-2 THE GRAPE, THE CHERRY AND THE EYE A friend once wrote ... 'There is such evident sparkle in ...

Grapes, cherrys and the eyeball The cherry also has similar qualities to the grape though without the transparency. Fig 1 Fig 2 ...

Grapes, cherrys and the eyeball GO TO .... the eye ... lesson menu http://www.geocities.com/~jlhagan/advanced/grape.htm (3 of 3) ...